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Warmen β€” Accept the Fact

  • intothewellsabyss
  • Jul 6, 2023
  • 3 min read

π…π‘πŽπŒ 𝐓𝐇𝐄 π‚π‘π˜ππ“π’ - π‚π„π‹π„ππ‘π€π“πˆππ† 𝐏𝐀𝐒𝐓 π€π‹ππ”πŒ 𝐑𝐄𝐋𝐄𝐀𝐒𝐄𝐒 𝐒𝐧 𝐭𝐑𝐞 π‡πˆπ’π“πŽπ‘π˜ 𝐨𝐟  𝐇𝐀𝐑𝐃 π‘πŽπ‚πŠ & π‡π„π€π•π˜ πŒπ„π“π€π‹β€¦


18 years ago this week, Warmen told us to β€œAccept the Fact”!



On July 6, 2005, Warmen released their third full-length studio album, β€œAccept the Fact” via Spinefarm Records.



β€œAccept the Fact” features vocals by Timo Kotipelto, Marko Vaara, Jonna Kosonen and Alexi Laiho from Children Of Bodom. Alexi performs clean vocals in "Somebody's Watching Me" (originally by Rockwell), which is rare, since in Children of Bodom he has performed clean vocals in only one song, a cover of "Rebel Yell", originally by Billy Idol. The spoken words on the first track "Accept the Fact" are taken from the movie Amadeus, spoken by the character Salieri.


Background:

In 2000, Janne Wirman assembled the Progressive Metal band Warmen as his main side-project, his guitarist brother, Antti Wirman joined in on the band's second album, β€œBeyond Abilities”. The band then released their third offering with 2005’s β€œAccept The Fact”. With fellow countrymen Lauri Porra on bass and Mirka Rantanen on drums, and having no less than four guest vocalists, the album displays a variety of styles.


From the opening instrumental β€œAccept The Fact”, with Janne’s creative keyboards, and the bands melodic Speed/Power Metal aesthetic on songs like β€œPuppet” or β€œWaters Of Lethe” or the straightforward Heavy Metal of β€œLying Delilah”, the band shows their strong penchant for diversity within the many sub-genres of Metal and beyond.



Stratovarius’ Timo Kotipelto, appears on two of the albums tracks. The first track, β€œInvisible Power” is a Neo-classical/Power Metal shred much like the singers aforementioned band. Kotipelto’s second performance in on the song β€œPuppet”, which is a much Thrashier tune, featuring alternating guitar and keyboard solos.


Marko Waara of TunnelVision is the next singer, who also performs on two of the albums songs. The first of them being the third track of the album, β€œWaters Of Lethe”. This track is a melodic riff-fest, featuring a strong vocal performance by Waara. His second appearance is on the previously mentioned traditional Heavy Metal sounding β€œLying Delilah”, a mid-tempo number featuring hefty guitar riffs, and a classic 80’s keyboard sound.


A huge shock to the system is the appearance of Jonna Kosonen of Finnish Pop duo Nylon Beat, who sings on the track β€œThey All Blame Me”. This track starts off with Jonna singing in her usual soft key, and within a short span of time you find out just what a powerhouse vocalist she truly is, with a sultry performance somewhat similar to Alannah Myles.



The very last song on the album is a cover of Rockwell’s classic β€œSomebody’s Watching Me”. Featuring Children of Bodom’s Alexi Laiho, and as per the usual CoB tradition, Laiho’s performance is somewhat tongue-in-cheek, having fun with cover songs outside of the Metal norm.


Of course, β€œAccept The Fact” displays a few instrumental tracks, beginning with its keyboard driven title track, complete with dual harmonies sections between brothers Janne & Antti. Or the neo-classical shred of β€œRopongi Rumble”. And then we have the baroque stylings of β€œReturn Of Salieri.


In conclusion; β€œAccept The Fact” is an experiment in different sounds and styles from a confident group of musicians who have nothing to prove to anyone. β€” E.N. Wells



Links to Artists, Albums, and Music Videos:

Click this link to listen to β€œAccept The Fact” via Apple Music: https://music.apple.com/us/album/accept-the-fact-finnish-version/1443812499


Click this link to listen to β€œAccept The Fact” via Spotify: Accept The Fact https://open.spotify.com/album/45yXyVHmcEEK3kv5igRl4f


Click this link to follow Warmen on Facebook: https://www.facebook.com/warmen/


Note: The reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β€” E.N. Wells



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