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Twisted Sister β€” Love Is For Suckers

  • intothewellsabyss
  • Aug 13, 2023
  • 4 min read

π…π‘πŽπŒ 𝐓𝐇𝐄 π‚π‘π˜ππ“π’ - π‚π„π‹π„ππ‘π€π“πˆππ† 𝐏𝐀𝐒𝐓 π€π‹ππ”πŒ 𝐑𝐄𝐋𝐄𝐀𝐒𝐄𝐒 𝐒𝐧 𝐭𝐑𝐞 π‡πˆπ’π“πŽπ‘π˜ 𝐨𝐟  𝐇𝐀𝐑𝐃 π‘πŽπ‚πŠ & π‡π„π€π•π˜ πŒπ„π“π€π‹β€¦



August 13, 1987 β€” Twisted Sister released their fifth studio album, Love Is For Suckers via Atlantic Records, with the single Hot Love (Watch video) being released on August 1. (Listen: Apple Music or Spotify)


The album was recorded at Atlantic Studios in New York City and was produced by Beau Hill (RATT, Winger). It was the band's last album before their breakup and subsequent reunion and release of Still Hungry in 2004. It was also the only studio album that long time drummer A.J. Pero did not perform on. He was replaced by Widowmaker drummer Joey β€œSeven” Franco.


The album also featured many additional musicians including;


β€’ Reb Beach (Winger/Dokken/Alice Cooper) – additional guitars, additional shouts

β€’ Beau Hill – keyboards, backing vocals

β€’ The New West Horns – horns

β€’ Jimmy Chalfant (KIX), Steve Whiteman (KIX), Kip Winger (Winger) – backing vocals

β€’ Bob Gamm, Gary Kris, B. Smith, Chris Cintron, Joe Gerber, Jodie Segall, Peter Love, Luke Perry (yes, the actor) - additional shouts


Background:

The sound of the album was strongly influenced by Glam Metal, and was one of the causes of conflict which led to the band splitting after its release.


According to interviews contained in the Live at Wacken DVD and in Dee Snider's autobiography, the material was originally meant to be a solo album by the Twisted Sister frontman, but the label pushed for it to be released under the Twisted Sister name instead. The tour for the album lasted just over one month and ended in Minneapolis, Minnesota on October 10, 1987. Two days later, on October 12, 1987, vocalist Dee Snider announced his departure from the band.


No songs from this album appeared on the band's 1992 greatest hits album Big Hits and Nasty Cuts. It would be Twisted Sister's final studio album of original material, as all albums since have been compilations, live albums or re-recordings of already written material.


Seven of the album's songs were played live during the brief 1987 tour. Snider has stated that he likes many of the songs on the album, vocally. However he feels that if they play any of them live, it may bring back bad memories for the band.


In 2012, the band introduced Wake Up (The Sleeping Giant) into their set, following demands from fans for material to be included from all of the band's studio albums.


In a 2009 interview by Ruben Mosqueda, Snider spoke of his thoughts on the album;

"πšƒπš‘πšŽπš›πšŽβ€˜πšœ πšœπš˜πš–πšŽ πšπš›πšŽπšŠπš 𝚜𝚝𝚞𝚏𝚏 πš˜πš— πšπš‘πšŽπš›πšŽ πš–πšŠπš—! πšƒπš‘πšŽ πšπš‘πš’πš—πš πš’πšœ, πšπš‘πšŠπš 𝚠𝚊𝚜 πšœπšžπš™πš™πš˜πšœπšŽπš 𝚝𝚘 πš‹πšŽ πš–πš’ πšπš’πš›πšœπš πšœπš˜πš•πš˜ πšŠπš•πš‹πšžπš–. πšƒπš‘πšŽ πšπš‘πš’πš—πš 𝚠𝚊𝚜 πšπš‘πšŽ πš›πšŽπšŒπš˜πš›πš πšŒπš˜πš–πš™πšŠπš—πš’ πšŠπš—πš πš–πšŠπš—πšŠπšπšŽπš–πšŽπš—πš πš™πš›πšŽπšœπšœπšžπš›πšŽπš πš–πšŽ πš’πš—πšπš˜ πš–πšŠπš”πš’πš—πš πš’πš 𝚊 πšƒπš πš’πšœπšπšŽπš πš‚πš’πšœπšπšŽπš› πš›πšŽπšŒπš˜πš›πš. πšƒπš‘πšŽπš›πšŽβ€˜πšœ πšœπš˜πš–πšŽ 𝚜𝚝𝚞𝚏𝚏 πšπš‘πšŠπš 𝚠𝚊𝚜 πš’πš— πšπš‘πšŽ πšƒπš πš’πšœπšπšŽπš πš‚πš’πšœπšπšŽπš› πšŸπšŽπš’πš— πš‹πšžπš πš’πš 𝚠𝚊𝚜 πšœπšžπš™πš™πš˜πšœπšŽπš 𝚝𝚘 πš‹πšŽ 𝚊 πšœπš˜πš•πš˜ πš›πšŽπšŒπš˜πš›πš, πšπš‘πšŠπš πšŠπš•πš‹πšžπš– 𝚠𝚊𝚜 πš–πšŽπšŠπš—πš 𝚝𝚘 πšπš’πšŸπšŽ πšπš‘πšŽ πš‹πšŠπš—πš πšπš‘πšŽ πš‹πš›πšŽπšŠπš” 𝚠𝚎 πš—πšŽπšŽπšπšŽπš. 𝙸 πšπšŽπš•πš πšπš‘πšŠπš πš‹πš’ πš›πšŽπš•πšŽπšŠπšœπš’πš—πš 𝚊 πšœπš˜πš•πš˜ πšŠπš•πš‹πšžπš– 𝙸 πšŒπš˜πšžπš•πš πš™πšžπš πšπš‘πšŠπš 𝚘𝚞𝚝 πšπš‘πšŽπš›πšŽ, 𝚐𝚎𝚝 πš’πš 𝚘𝚞𝚝 πš–πš’ πšœπš’πšœπšπšŽπš–, πšŠπš—πš πšπš‘πšŽπš— πšŠπšπšπšŽπš› 𝚊 πšœπš‘πš˜πš›πš πš‹πš›πšŽπšŠπš” 𝚠𝚎 πšŒπš˜πšžπš•πš πš›πšŽπšπš›πš˜πšžπš™ πšŠπš—πš πš πš˜πš›πš” πš˜πš— 𝚊 πš—πšŽπš  πšŠπš•πš‹πšžπš–.
πšƒπš‘πšŽ πš›πšŽπšŒπš˜πš›πšπš’πš—πš, πšπš‘πšŽ πš™πš›πš˜πš–πš˜πšπš’πš˜πš— πšŠπš—πš πšπš˜πšžπš›πš’πš—πš 𝚘𝚏 π™»πš˜πšŸπšŽ π™Έπšœ πšπš˜πš› πš‚πšžπšŒπš”πšŽπš›πšœ πš πšŽπš—πš πš˜πš— 𝚝𝚘 πš”πš’πš•πš• πšπš‘πšŽ πš‹πšŠπš—πš. π™ΌπšŠπš—πšŠπšπšŽπš–πšŽπš—πš πšŠπš—πš πšπš‘πšŽ πš›πšŽπšŒπš˜πš›πš πšŒπš˜πš–πš™πšŠπš—πš’ πš’πš— πšπš‘πšŽπš’πš› πš’πš—πšπš’πš—πš’πšπšŽ πš πš’πšœπšπš˜πš– πš”πš—πš˜πš  πš‹πšŽπšœπš. π™Ύπš‘ πš•πšŽπšβ€˜πšœ πš™πšžπš πšπš’πšŸπšŽ 𝚐𝚞𝚒𝚜 πš πš‘πš˜ πšŒπšŠπš—β€™πš πšœπšπšŠπš—πš πšŽπšŠπšŒπš‘ πš˜πšπš‘πšŽπš› πš’πš— 𝚊 πšœπšπšžπšπš’πš˜ πšπš˜πš› πšπš‘πš›πšŽπšŽ πš–πš˜πš—πšπš‘πšœ!"

In 2012, Dee Snider commented to an audience at the annual concert festival in Dessel Belgium, known as the Graspop Metal Meeting, "π™½πš˜πš  𝚠𝚎 πš‘πšŠπšŸπšŽ πš‹πšŽπšŽπš— 𝚊𝚌𝚌𝚞𝚜𝚎𝚍 πš’πš— πšπš‘πšŽ πš™πšŠπšœπš 𝚘𝚏 πš—πš˜πš πš™πš•πšŠπš’πš’πš—πš 𝚜𝚝𝚞𝚏𝚏 πšπš›πš˜πš– πšŠπš•πš• 𝚘𝚏 πš˜πšžπš› πšŠπš•πš‹πšžπš–πšœ, 𝚜𝚘 πšπš‘πš’πšœ πš’πšŽπšŠπš› 𝚠𝚎 𝚊𝚍𝚍𝚎𝚍 πš˜πš—πšŽ πšœπš˜πš—πš πšπš›πš˜πš– πšπš‘πšŽ π™»πš˜πšŸπšŽ π™Έπšœ πšπš˜πš› πš‚πšžπšŒπš”πšŽπš›πšœ πš›πšŽπšŒπš˜πš›πš 𝚝𝚘 πšπš‘πšŽ 𝚜𝚎𝚝... πšπš˜πš› πšπš‘πš˜πšœπšŽ πš πš‘πš˜ πš”πš—πš˜πš  πš’πš— πšπš‘πšŽ 𝟾𝟢𝚜, πšπš‘πšŽπš›πšŽ 𝚠𝚊𝚜 𝚊 πš•πš’πšπšπš•πšŽ πš™πš›πš˜πš‹πš•πšŽπš– πš’πš— πš†πšŠπšœπš‘πš’πš—πšπšπš˜πš— πš πš’πšπš‘ πšŒπšŽπš—πšœπš˜πš›πšœπš‘πš’πš™ πšŠπš—πš πšπš‘πš’πšœ πš˜πš—πšŽ 𝚠𝚊𝚜 𝚊 πš‹πš’πš πš–πš’πšπšπš•πšŽ πšπš’πš—πšπšŽπš› 𝚝𝚘 πš†πšŠπšœπš‘πš’πš—πšπšπš˜πš— 𝙳.𝙲. π™Έπšβ€˜πšœ πšŒπšŠπš•πš•πšŽπš πš†πšŠπš”πšŽ πš„πš™ (πšπš‘πšŽ πš‚πš•πšŽπšŽπš™πš’πš—πš π™Άπš’πšŠπš—πš)", which the band then performed.


Critical Reception:

Upon its release, Billboard wrote;

"π™»πš˜πš—πšπšπš’πš–πšŽ π™½πšŽπš  πšˆπš˜πš›πš”-𝚚𝚊𝚜𝚎𝚍 πš›πš˜πšŒπš”πšŽπš›πšœ πšœπšπšžπš–πš‹πš•πšŽπš πš πš’πšπš‘ πš•πšŠπšœπš πš›πšŽπš•πšŽπšŠπšœπšŽ πš‹πšžπš πš‘πšŠπšŸπšŽ πš–πšŠπš—πšŠπšπšŽπš 𝚝𝚘 πšŒπšŠπšπšŒπš‘ πšπš‘πšŽπš’πš› πš‹πšŠπš•πšŠπš—πšŒπšŽ πš˜πš— πšπš‘πš’πšœ πš˜πš—πšŽ, πš πš’πšπš‘ 𝚊 πš—πšŽπš  πš™πš›πš˜πšπšžπšŒπšŽπš› πšŠπš—πš πš—πšŽπš  πšŠπšπšπš’πšπšžπšπšŽ. π™°πš•πš‹πšžπš– πš’πšœ πšŒπš‘πš˜πšŒπš”-πšπšžπš•πš• 𝚘𝚏 πšœπšπšžπš›πšπš’β€™ πšœπšπš›πšŠπš’πšπš‘πšπšπš˜πš›πš πšŠπš›πš 𝚌𝚞𝚝𝚜."

Sharon Liveten of the Los Angeles Times wrote;

"π™Ύπš— πš’πšπšœ πšπš’πšπšπš‘ πšŠπš•πš‹πšžπš–, πšƒπš πš’πšœπšπšŽπš πš‚πš’πšœπšπšŽπš› πšπš˜πšŽπšœπš—β€˜πš πšπš›πš˜πš–πš™ 𝚘𝚏𝚏 πš’πš—πšπš˜ πšžπš—πšŒπš‘πšŠπš›πšπšŽπš πšπšŽπš›πš›πš’πšπš˜πš›πš’. π™Έπšβ€™πšœ πšŠπš—πšπš‘πšŽπš–πš’πšŒ, πš˜πšŒπšŒπšŠπšœπš’πš˜πš—πšŠπš•πš•πš’ πš›πšŽπš™πšŽπšπš’πšπš’πšŸπšŽ πšŠπš—πš πšœπšŽπš•πš-πš™πšŽπš›πš’πšŸπšŠπšπš’πšŸπšŽ. πšƒπš‘πšŠπš πšœπšŠπš’πš, π™»πš˜πšŸπšŽ π™Έπšœ πšπš˜πš› πš‚πšžπšŒπš”πšŽπš›πšœ πš’πšœ 𝚊 πšπšŠπš›πš—πšŽπš 𝚐𝚘𝚘𝚍 πšŠπš•πš‹πšžπš–. πšƒπš‘πšŽ πšπšžπš’πšπšŠπš› πš πš˜πš›πš” πš’πšœ πšπš•πšŠπšœπš‘πš’ πš‹πšžπš πšπš˜πšŽπšœπš—,𝚝 πš›πšŽπšœπš˜πš›πš 𝚝𝚘 πšŒπš•πš’πšŒπš‘πšŽπš πš™πš˜πšœπšπšžπš›πš’πš—πš πšŠπš—πš π™³πšŽπšŽ πš‚πš—πš’πšπšŽπš›β€˜πšœ πšŸπš˜πšŒπšŠπš•πšœ πšŠπš›πšŽ πš’πš— πšπš’πš—πšŽ, πšœπš—πšŽπšŽπš›πš’πš—πš πšπš˜πš›πš–."

Robin Welles of The Press-Courier described Love Is for Suckers as "𝚊 πšœπšŒπš›πšŽπšŠπš–πšŽπš› 𝚘𝚏 πšŠπš— πšŠπš•πš‹πšžπš–".


Pete Bishop of the Pittsburgh Press commented;

"πšƒπš‘πš’πšœ πš’πšœ πšŒπš•πš’πšŒπš‘πšŽ-πšŒπš•πšžπšπšπšŽπš›πšŽπš, "πšŒπš˜πš–πš–πšŽπš›πšŒπš’πšŠπš•β€œ π™·πšŽπšŠπšŸπš’ π™ΌπšŽπšπšŠπš• πšπšŽπšœπš’πšπš—πšŽπš πšπš˜πš› πš’πš—πšœπšπšŠπš—πš πšŠπšŒπšŒπšŽπš™πšπšŠπš—πšŒπšŽ. πš‚πšŽπšŸπšŽπš— 𝚘𝚏 πšπš‘πšŽ 𝚌𝚞𝚝𝚜 πšŠπš›πšŽ πšπš‘πšŽ πšœπšŠπš–πšŽ πš πš‘πšŠπš–-πš‹πšŠπš–-πš™πšŠπš›πšπš’-πš‘πšŽπšŠπš›πšπš’ 𝚜𝚝𝚞𝚏𝚏 πšƒπš πš’πšœπšπšŽπš πš‚πš’πšœπšπšŽπš› πšŠπš—πš 𝚜𝚘 πš–πšŠπš—πš’ πš˜πšπš‘πšŽπš›πšœ πš‘πšŠπšŸπšŽ πšπšŽπšπš›πš˜πšœπšπšŽπš πšŠπš—πš πš›πšŽπš‘πšŽπšŠπšπšŽπš 𝚊𝚍 πš—πšŠπšžπšœπšŽπšŠπš–."

He selected Hot Love, One Bad Habit and You Are All That I Need as "πšπš‘πšŽ πšŒπš•πšŠπšœπšœ 𝚘𝚏 πšπš‘πšŽ πšπš’πšœπšŒ πš‹πšŽπšŒπšŠπšžπšœπšŽ πšπš‘πšŽπš’ πšπšŠπš›πšŽ 𝚝𝚘 πšπš’πšπšπšŽπš› πšπš›πš˜πš– πšπš‘πšŽ πšπš˜πš›πš–πšžπš•πšŠ πšŠπš—πš πš‹πšŽπšŒπšŠπšžπšœπšŽ πšƒπš πš’πšœπšπšŽπš πš‚πš’πšœπšπšŽπš› πš™πšŽπš›πšπš˜πš›πš–πšœ πšπš‘πšŽπš– πš πšŽπš•πš•."


Michael Dowding of The Boston Globe wrote;

"πš„πš—πšπš˜πš›πšπšžπš—πšŠπšπšŽπš•πš’, πšπš‘πš’πšœ πšŠπš•πš‹πšžπš– πšœπš˜πšžπš—πšπšœ πš•πš’πš”πšŽ 𝚊 πš‹πšŠπš—πš πš’πš— πšπšŽπšŒπš•πš’πš—πšŽ. πšƒπš‘πšŽπš›πšŽβ€˜πšœ πšœπšπš’πš•πš• πšŽπš—πš˜πšžπšπš‘ πšπš‘πšžπš–πš™ πšŠπš—πš πšœπšŒπš›πšŽπšŽπšŒπš‘ 𝚝𝚘 πš”πšŽπšŽπš™ πšπš‘πšŽ πš‚πšŠπšπšžπš›πšπšŠπš’ πš—πš’πšπš‘πš πš™πšŠπš›πšπš’ πšπš˜πš’πš—πš, πš‹πšžπš πšπš˜πš—β€™πš πš•πš˜πš˜πš” πšπš˜πš› πšŠπš—πš’ πšπšŽπšŸπšŽπš•πš˜πš™πš–πšŽπš—πš πš˜πš› πš’πš—πš—πš˜πšŸπšŠπšπš’πš˜πš—. π™΅πš˜πš› πšπšŠπš—πšœ, πšπš‘πšŽ πš‹πšŽπšœπš 𝚌𝚞𝚝𝚜 πš’πš—πšŒπš•πšžπšπšŽ πš†πšŠπš”πšŽ πš„πš™ πšŠπš—πš π™Ύπš—πšŽ π™±πšŠπš π™·πšŠπš‹πš’πš. π™΅πš˜πš› πš–πšŠπš—πš’ πš˜πšπš‘πšŽπš› πš•πš’πšœπšπšŽπš—πšŽπš›πšœ, πšπš‘πš˜πšžπšπš‘, πšπš‘πš’πšœ πš’πšœ πšŠπš— πšŠπš•πš‹πšžπš– 𝚝𝚘 πšŠπšŸπš˜πš’πš."

Barbara Jaeger of The Record wrote;

"πšƒπš‘πšŽ 𝟷𝟢 πšœπš˜πš—πšπšœ πš˜πš— πšπš‘πš’πšœ πšŒπš˜πš•πš•πšŽπšŒπšπš’πš˜πš— πšœπš˜πšžπš—πš πš•πš’πš”πšŽ πšŽπšŸπšŽπš›πš’ πš˜πšπš‘πšŽπš› πšœπš˜πš—πš πšπš‘πšŽ πš‹πšŠπš—πš πš‘πšŠπšœ πšπš˜πš—πšŽ. πš„πš—πšπšŽπš›πšœπšŒπš˜πš›πš’πš—πš πšπš‘πšŽ πš˜πšŸπšŽπš›πš πš›πš˜πšžπšπš‘πš πšŸπš˜πšŒπšŠπš•πšœ 𝚘𝚏 π™³πšŽπšŽ πš‚πš—πš’πšπšŽπš› πšŠπš›πšŽ πšœπšŒπš›πšŽπšŽπšŒπš‘πš’ πšπšžπš’πšπšŠπš›πšœ πšŠπš—πš πšπš‘πšžπš—πšπšŽπš›πš˜πšžπšœ πšπš›πšžπš–πšœ. πšƒπš‘πšŽ πšœπš˜πš—πšπšœ, πš πš’πšπš‘ πšπš‘πšŽπš’πš› πšœπš˜πš™πš‘πš˜πš–πš˜πš›πš’πšŒ πš•πš’πš›πš’πšŒπšœ, πšŒπš˜πšŸπšŽπš› πšπš‘πšŽ πšžπšœπšžπšŠπš• π™·πšŽπšŠπšŸπš’-π™ΌπšŽπšπšŠπš• πšπš˜πš™πš’πšŒπšœ. πš‚πš˜, πš’πš πš’πš˜πšžβ€˜πš›πšŽ πš•πš˜πš˜πš”πš’πš—πš πšπš˜πš› πšœπš˜πš–πšŽπšπš‘πš’πš—πš πš—πšŽπš , πšπš˜πš›πšπšŽπš πšŠπš‹πš˜πšžπš πšπš‘πš’πšœ πš˜πš—πšŽ."

Notice: Any reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β€” E.N. Wells



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