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Solitude Aeturnus β€” Adagio

  • intothewellsabyss
  • Aug 3, 2023
  • 2 min read

π…π‘πŽπŒ 𝐓𝐇𝐄 π‚π‘π˜ππ“π’ - π‚π„π‹π„ππ‘π€π“πˆππ† 𝐏𝐀𝐒𝐓 π€π‹ππ”πŒ 𝐑𝐄𝐋𝐄𝐀𝐒𝐄𝐒 𝐒𝐧 𝐭𝐑𝐞 π‡πˆπ’π“πŽπ‘π˜ 𝐨𝐟  𝐇𝐀𝐑𝐃 π‘πŽπ‚πŠ & π‡π„π€π•π˜ πŒπ„π“π€π‹β€¦



August 3, 1998 β€” Solitude Aeturnus released their fifth full-length studio album, Adagio via Massacre Records in Europe (January 1999 via Olympic Records / Slipdisc Records / Mercury-Polygram Records in the United States). (Apple Music or Spotify)



The albums cover art was created by Travis Smith at Seempieces.



Background:

Following the bands tour in support of Downfall, Solitude Aeturnus took another unintentional break followed as the band split from Pavement Records.



During this downtime, Steve Mosley, a long time friend and fan of the band, replaced Lyle Steadham on bass. The band subsequently signed on with the German label Massacre Records in December 1997 and headed into the studio to record what was to become their masterpiece, Adagio.



This time going back to Rhythm Studios in England the album was recorded in March 1998 and released in August of the same year.



The band toured Europe in September 1998 with Savior Machine in support of the record.



Adagio finally saw a US release in January 1999 through Olympic Records. Being distributed through Polygram, the Olympic deal gave the band even greater exposure in the US.



Critical Reception:

In a retrospective review for AllMusic, Jason Anderson stated;

β€œπš†πš‘πšŽπš— πš‚πš˜πš•πš’πšπšžπšπšŽ π™°πšŽπšπšžπš›πš—πšžπšœ πšŸπš˜πšŒπšŠπš•πš’πšœπš πšπš˜πš‹πšŽπš›πš π™»πš˜πš πšŽ 𝚐𝚘𝚎𝚜 πš’πš—πšπš˜ πš‘πš’πšœ πšπš›πš’πšπšπš’πšŽπš›, πš–πš˜πš›πšŽ πš–πšŽπš—πšŠπšŒπš’πš—πš πšπšŽπš•πš’πšŸπšŽπš›πš’ (𝚊𝚜 πš‘πšŽ 𝚍𝚘𝚎𝚜 πš˜πš— πšπš‘πšŽ 𝚘𝚍𝚍-πšπš’πš–πšŽπš π™³πšŠπš’πšœ 𝚘𝚏 π™Ώπš›πšŠπš’πšŽπš›), πšπš‘πš’πš—πšπšœ πš πš˜πš›πš” πšŸπšŽπš›πš’ πš—πš’πšŒπšŽπš•πš’. πš„πš—πšπš˜πš›πšπšžπš—πšŠπšπšŽπš•πš’, πšπš‘πšŽ πšœπš’πš—πšπšŽπš›β€˜πšœ πš˜πšπš‘πšŽπš› πšŸπš˜πšŒπšŠπš• πšπšŽπš•πš’πšŸπšŽπš›πš’ β€” πš˜πšπšπšŽπš— πšπš•πšŠπš, πšŒπš•πšŽπšŠπš—, πšŠπš—πš πš•πš˜πš—πš-πš πš’πš—πšπšŽπš β€” πš’πšœ πšπšŽπšŠπšπšžπš›πšŽπš πš–πšžπšŒπš‘ πš–πš˜πš›πšŽ πš˜πšπšπšŽπš— πš˜πš— πšπš‘πš’πšœ, πšπš‘πšŽ πšπš›πš˜πšžπš™,𝚜 πšπš’πšπšπš‘ πš›πšŽπšŒπš˜πš›πš. πšƒπš‘πšŽ πšπš›πš˜πšžπš™β€˜πšœ πšœπš•πš˜πš  πšŠπš™πš™πš›πš˜πšŠπšŒπš‘ 𝚝𝚘 π™³πš˜πš˜πš– π™ΌπšŽπšπšŠπš• πš›πš’πšπšπš’πš—πš πš˜πš—πš•πš’ πšŒπš˜πš–πš™πš˜πšžπš—πšπšœ πšπš‘πšŽ πš™πš›πš˜πš‹πš•πšŽπš– πš‹πš’ πšπš’πšŸπš’πš—πš π™»πš˜πš πšŽ πšŽπš‘πšπš›πšŠ πšœπš™πšŠπšŒπšŽ 𝚝𝚘 πšπš’πš•πš• πš πš’πšπš‘ πš‘πš’πšœ πšžπš—πšŽπšŸπšŽπš— πš–πš˜πšŠπš—πš’πš—πš. πšƒπš‘πšŽ πšžπš—πšπš˜πš›πšπšžπš—πšŠπšπšŽ πš–πš’πšœπš–πšŠπšπšŒπš‘ πš’πšœ πš—πš˜πš 𝚜𝚘 πš‹πšŠπš πšπš‘πšŠπš πš•πš’πšœπšπšŽπš—πšŽπš›πšœ πš πš˜πš—β€˜πš πš‹πšŽ πšŠπš‹πš•πšŽ 𝚝𝚘 πšŠπš™πš™πš›πšŽπšŒπš’πšŠπšπšŽ πšπš‘πšŽ πšπš’πšπšŠπš—πš’πšŒ πš›πš’πšπšπš’πš—πš πš˜πš— πš‘πš’πšπš‘πš•πš’πšπš‘πšπšœ πš•πš’πš”πšŽ π™Έπšπš’πšœ πšŠπš—πš π™ΌπšŽπš—πšπšŠπš• π™Ώπš’πšŒπšπšžπš›πšŽπšœ, 𝚝𝚠𝚘 πš•πš˜πš  β€™πš—β€˜ πšœπš•πš˜πš  πšŽπš™πš’πšŒπšœ πšπš‘πšŠπš πšœπšžπšπšπšŽπš› πšπš›πš˜πš– πšπš‘πšŽ π™»πš˜πš πšŽ πšπš›πšŽπšŠπšπš–πšŽπš—πš πš‹πšžπš πšπš˜πš—β€™πš πšŒπš˜πš•πš•πšŠπš™πšœπšŽ πš‹πšŽπšŒπšŠπšžπšœπšŽ 𝚘𝚏 πš’πš. πš†πš’πšπš‘ 𝚜𝚘 πš•πš’πšπšπš•πšŽ πš’πš—πšπšŽπš›πšŽπšœπš πš’πš— π™°πš–πšŽπš›πš’πšŒπšŠπš— π™³πš˜πš˜πš– π™ΌπšŽπšπšŠπš•, πš‚πš˜πš•πš’πšπšžπšπšŽ π™°πšŽπšπšžπš›πš—πšžπšœ πšπšŽπšœπšŽπš›πšŸπšŽπšœ πšŒπš›πšŽπšπš’πš πšπš˜πš› πšœπšπš’πšŒπš”πš’πš—πš πš’πš 𝚘𝚞𝚝 πš’πš— πšπš‘πšŽ πš•πšŠπšπšŽ β€˜πŸΏπŸΆπšœ πšŠπš—πš πš›πšŽπš•πšŽπšŠπšœπš’πš—πš πšπš‘πš›πšŽπšŽ πšŒπš›πšŽπšπš’πš‹πš•πšŽ πšŠπšπšπšŽπš–πš™πšπšœ 𝚊𝚝 πšπš‘πšŽ πšπšŽπš—πš›πšŽ. π™Έπš πš’πšœ 𝚊 πšπš’πšπšπš’πšŒπšžπš•πš πšŒπšŠπš•πš•, πš‹πšžπš πšπš‘πš’πšœ 𝚍𝚘𝚐𝚐𝚎𝚍 πšŒπš˜πš–πš–πš’πšπš–πšŽπš—πš πšŒπšŠπš—β€˜πš πššπšžπš’πšπšŽ πš–πšŠπš”πšŽ πšžπš™ πšπš˜πš› πšπš‘πšŽ πšπš•πšŠπš πšœ πš’πš— πš‚πš˜πš•πš’πšπšžπšπšŽ π™°πšŽπšπšžπš›πš—πšžπšœ πšŠπš—πš π™°πšπšŠπšπš’πš˜.”

For the record, I completely disagree with this assessment of Adagio, Robert Lowe's vocal performance, and Solitude Aeturnus in general, as this is my favorite release from the Texas Doom outfit! I guess I must have terrible taste in music... No, not really! β€” E.N. Wells



Notice: Any reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β€” E.N. Wells



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