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Old Man’s Child β€” The Pagan Prosperity

  • intothewellsabyss
  • Aug 18, 2023
  • 3 min read

π…π‘πŽπŒ 𝐓𝐇𝐄 π‚π‘π˜ππ“π’ - π‚π„π‹π„ππ‘π€π“πˆππ† 𝐏𝐀𝐒𝐓 π€π‹ππ”πŒ 𝐑𝐄𝐋𝐄𝐀𝐒𝐄𝐒 𝐒𝐧 𝐭𝐑𝐞 π‡πˆπ’π“πŽπ‘π˜ 𝐨𝐟  𝐇𝐀𝐑𝐃 π‘πŽπ‚πŠ & π‡π„π€π•π˜ πŒπ„π“π€π‹β€¦



August 18, 1997 β€” The Melodic Black Metal band Old Man's Child released their second studio album , The Pagan Prosperity via Century Black Records. (Listen)



The album was later released on October 7, 1997 in some territories.



Overview:

Old Man's Child bring together the best of both worlds in The Pagan Prosperity.



Combining the raw feel of old BM with equally great melodies, this is their strongest album to date.



Black Metal is often overlooked or judged harshly by those not accustomed to the genre, and by fans of the genre, who are a finicky bunch. Those unaccustomed listeners either complain about the vocals, the blazing speed or the raw, primitive production, while fans of the genre bemoan about their β€œπšπšŠπšŸπš˜πš›πš’πšπšŽβ€ bands branching out into new territories or for an over polished production. While branching out of the raw Black Metal style has brought some bands to new heights, it has also brought on accusations of selling-out by so-called β€œπšƒπš›πšŸπšŽ π™²πšŸπš•πšβ€ fanatics. While Old Man’s Child are now seen as a β€œmainstream” Black Metal band, their earlier albums were raw enough to hold these critics at bay.



The Pagan Prosperity is the ultimate blend of melody and brutality, and quite possibly their best offering to date. It has all of the elements of Born of the Flickering, with the same archaic production, the domineeringly harsh vocals, and the same melodic style of riffing. Galder’s songwriting balances heavy guitar with catchy melodies, creating a well-rounded mix. The keyboards, guitars and vocals of Galder are all spectacular on this release, as they are filled with countless hooks, melodies and harmonization. While this may go against what you β€œπšƒπš›πšŸπšŽ π™²πšŸπš•πšβ€ Black Metal fans believe the genre should be all about, I certainly find it captivating. The addition of the guitar harmonies creates a much fuller and broader sound.



In conclusion; I recommend this album to any and all fans of Extreme Metal. Galder may bring melody into the world of Black Metal, but he also manages to stay true to the heart of bands like Mayhem and Darkthrone at the same time. β€” E.N. Wells



Critical Reception:

In his review for AllMusic, Steve Huey stated;

β€œπš†πš’πšπš‘ πšπš‘πšŽπš’πš› πšœπšŽπšŒπš˜πš—πš πšŠπš•πš‹πšžπš–, πšƒπš‘πšŽ π™ΏπšŠπšπšŠπš— π™Ώπš›πš˜πšœπš™πšŽπš›πš’πšπš’, π™Ύπš•πš π™ΌπšŠπš—β€˜πšœ π™²πš‘πš’πš•πš πš™πš›πš˜πšŸπšŽ πšπš‘πšŽπš–πšœπšŽπš•πšŸπšŽπšœ πš˜πš—πšŽ 𝚘𝚏 πšπš‘πšŽ πš–πš˜πš›πšŽ πšŸπšŠπš›πš’πšŽπš πš‹πšŠπš—πšπšœ πš˜πš— π™½πš˜πš›πš πšŠπš’β€™πšœ π™±πš•πšŠπšŒπš” π™ΌπšŽπšπšŠπš• πšœπšŒπšŽπš—πšŽ, πšŒπš›πšŽπšŠπšπš’πš—πš πšπš’πšπšπšŽπš›πšŽπš—πš πšœπš˜πš—πš’πšŒ πšπšŽπš‘πšπšžπš›πšŽπšœ πš’πš—πšœπšπšŽπšŠπš 𝚘𝚏 πš“πšžπšœπš πš™πš˜πšžπš—πšπš’πš—πš 𝚊𝚠𝚊𝚒. πšƒπš‘πšŠπšβ€˜πšœ πš—πš˜πš 𝚝𝚘 𝚜𝚊𝚒 πšπš‘πšŽπš›πšŽβ€™πšœ πš—πš˜ πš•πš’πšπš‘πšπš—πš’πš—πš-𝚏𝚊𝚜𝚝 π™³πšŽπšŠπšπš‘ π™ΌπšŽπšπšŠπš• πšŠπšπšπš›πšŽπšœπšœπš’πš˜πš—; πš’πšβ€˜πšœ πšœπš’πš–πš™πš•πš’ πš–πš’πš‘πšŽπš πš’πš— πš πš’πšπš‘ πš–πšŽπš•πš˜πšπš’πšŒ πš™πšŠπšœπšœπšŠπšπšŽπšœ, πšœπš˜πš•πš’πš πš–πš’πš-πšπšŽπš–πš™πš˜ π™ΌπšŽπšπšŠπš• πšπš›πš˜πš˜πšŸπšŽπšœ, πšŠπš—πš πšπš’πš—πšπšŽπšœ 𝚘𝚏 π™Άπš˜πšπš‘ πšπš˜πšŒπš”. πšƒπš‘πšŽ πš‹πšŠπš—πš πšπš˜πšŽπšœπš—β€™πš πšŠπš•πš πšŠπš’πšœ 𝚞𝚜𝚎 πš’πšπšœ πš›πšŠπš—πšπšŽ πš’πš— 𝚊 𝚏𝚘𝚌𝚞𝚜𝚎𝚍 πš–πšŠπš—πš—πšŽπš›, πš‹πšžπš πš˜πšŸπšŽπš›πšŠπš•πš•, πšƒπš‘πšŽ π™ΏπšŠπšπšŠπš— π™Ώπš›πš˜πšœπš™πšŽπš›πš’πšπš’ πš–πšŠπš›πš”πšœ π™Ύπš•πš π™ΌπšŠπš—β€˜πšœ π™²πš‘πš’πš•πš 𝚊𝚜 𝚊 πš‹πšŠπš—πš 𝚝𝚘 πš πšŠπšπšŒπš‘.

Old Man’s Child Bio:

Old Man's Child was officially founded in 1993, but its roots go back to 1989 when Galder, Jardar, and Tjodalv formed a Death/Thrash band called Requiem. They originally played Slayer and Metallica covers but later released one demo album in 1990. Requiem dissolved in 1992.



In 1996, after they released their first full-length album Born of the Flickering, they signed to Century Media.



After the release of The Pagan Prosperity and Ill-Natured Spiritual Invasion through Century Media, the band went on one of their infrequent tours. Old Man's Child have rarely toured because of the constant line-up changes over the years.



In 2000 Galder went on to play in Dimmu Borgir. However, Galder did not stop working with Old Man's Child. Over the years, Old Man's Child has become a one-man band with the addition of session members on albums.



Between 2000 and 2005, Galder released three albums: Revelation 666 – The Curse of Damnation (2000), In Defiance of Existence (2003) and Vermin (2005).




In July 2008, Old Man's Child announced that they were entering the Studio to record their seventh studio album Slaves of the World. It was released in 2009.



In an early 2011 interview, Galder stated that he was firmly focused on the current Dimmu Borgir tour. However, he said that after the world tour he would start writing music for Old Man's Child with the possibility of an album release in 2012. This did not come to pass, and the band entered an extended period of silence during which Galder appeared to maintain his focus on Dimmu Borgir.



In December 2019, however, the group was reactivated with Galder posting a video on the band's Facebook page showing him working on new Old Man's Child material, the first such work in over a decade.



Notice: Any reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β€” E.N. Wells



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