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intothewellsabyss
Nov 3, 20222 min read

Nile - Those Whom the Gods Detest (2009)

FROM THE CRYPTS - CELEBRATING PAST ALBUM RELEASES in the HISTORY of HARD ROCK & HEAVY METAL…



On November 3, 2009, Nile released their sixth full-length studio album Those Whom the Gods Detest in Europe via Nuclear Blast.


The album was later released in North America on November 6, 2009, also through Nuclear Blast. It was produced and mixed by Neil Kernon, with Erik Rutan handling the drum recording. The album debuted at No. 160 on the Billboard 200 in United States.


Background:

The cover artwork, a depiction of the Egyptian Pharaoh Akhenaten, was brought to realization this time around by Michal "Xaay" Loranc, with whom Karl Sanders has previously worked on his second solo record Saurian Exorcisms.


According to a post on the band's message board, they were also planning to release a "making of" documentary covering the rehearsals, preproduction and studio sessions of the album. The documentary, called Making Things the Gods Detest was later released on October 30, 2010. Liner notes, written by Karl Sanders to explain the concept behind the songs, were featured in the album booklet for the first time since their 2005 album Annihilation of the Wicked.


On September 24, 2009, the track Permitting the Noble Dead to Descend to the Underworld was made available for streaming over MySpace Music.


On October 28, 2010, the band released the official video for Permitting the Noble Dead to Descend to the Underworld.


Critical Reception:

Critical reception of this album has been relatively positive. Justin Norton from the website About.com, within the website's heavy metal subdivision, favorited Those Whom The Gods Detest as being one of their best albums to date. Norton stated;

"Those Whom The Gods Detest is a career landmark packed with mind-boggling guitar riffs and solos, nonstop speed, George Kollias’ inimitable drumming and a sense of urgency some claimed was missing from their last effort. Death Metal bands take note – Nile is back with a vengeance, much like Boris Karloff in the old Universal Mummy pictures."

Norton also noted that this album's name is anti-religious;

"Frontman Karl Sanders says anger and rejection were parts of this album, and it shows. 'The concept is that all of us who play and listen to Metal are the people that the gods hate. So (the new album) is a unified rejection of the gods - any god, every god,' Sanders says. 'Not any one in particular, but all of 'em.' If the album is meant to be a rejection of gods then it’s certain to unify metalheads in praise."

Note: The reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. — E.N. Wells



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