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Mayhem β€” Deathcrush

  • intothewellsabyss
  • Aug 16, 2023
  • 3 min read

π…π‘πŽπŒ 𝐓𝐇𝐄 π‚π‘π˜ππ“π’ - π‚π„π‹π„ππ‘π€π“πˆππ† 𝐏𝐀𝐒𝐓 π€π‹ππ”πŒ 𝐑𝐄𝐋𝐄𝐀𝐒𝐄𝐒 𝐒𝐧 𝐭𝐑𝐞 π‡πˆπ’π“πŽπ‘π˜ 𝐨𝐟  𝐇𝐀𝐑𝐃 π‘πŽπ‚πŠ & π‡π„π€π•π˜ πŒπ„π“π€π‹β€¦



August 16, 1987 β€” Mayhem released their debut EP, Deathcrush on 12” vinyl via the Posercorpse record label. (Listen)



It was reissued via Deathlike SilenceΒ in 1993.



Pictured is the Deathlike Silence Productions reissue (Anti Mosh 003/Anti-Mosh 003) released in 1993.



This was the first pressing on CD.



The original release was limited to 1,000 copies. It was recorded at Creative Studios in Kolbotn, Norway during February-March 1987.



The original β€œDeathcrush” demo tape was released before the 12" LP version. The labels on the tape version were hand written.



The first edition on the 12” vinyl version had a pressing error that made the color of the sleeve come out pink, not red. The 1993 CD/LP were both properly printed red, however the 1998 bootleg picture disc LP is pink like the original 1987 LP.



There are many bootleg versions, in all thinkable fashions, the Posercorpse Picture Disc (above) from 1998 is a bootleg.



The LP & CD covers have a picture of cut-off hands on exhibition, Mauritania.



On some editions, (Weird) Manheim and Pure Fucking Armageddon are combined into one track.



The outro only appeared on the original demo tape, original LP and many bootlegs, it was unlisted on the cover. It could previously also be downloaded via the band's official website. The outro appears in a "supermix" on the LP - it runs faster than on the MC.



Background:

Though influential to Black Metal, its lyrics and sound were largely influenced by Thrash Metal bands. After vocalist Dead joined the group, the band adopted darker lyrical topics and guitarist Euronymous (Øystein Aarseth) started rejecting most other Metal bands as their lyrics turned towards "πšœπš˜πšŒπš’πšŠπš• πšŠπš πšŠπš›πšŽπš—πšŽπšœπšœ" and "πš—πš˜πš›πš–πšŠπš•" topics instead of death worship; he "πš πšŠπš—πšπšŽπš πšπš‘πš’πš—πšπšœ 𝚝𝚘 πš‹πšŽ πš–πš˜πš›πšŽ πšœπšŽπš›πš’πš˜πšžπšœ πšŠπš—πš πšŽπš‘πšπš›πšŽπš–πšŽ".


(π™΄πšžπš›πš˜πš—πš’πš–πš˜πšžπšœ)

Dead stated that the lyrics "πšŠπš›πšŽπš—β€˜πš πš‹πšŠπš 𝚊𝚝 πšŠπš•πš•, πš‹πšžπš πšπš‘πšŽπš’ πšŠπš›πšŽ πš•πšŠπšπšŽπš› πš πš‘πšŠπš πš πš˜πšžπš•πš πš‹πšŽπšŒπš˜πš–πšŽ πšπš˜πš›πšŽ πšŠπš—πš πšπš›πšŽπš—πšπš’".


(π™³πšŽπšŠπš)

The opening track Silvester Anfang was provided to the band by German electronic music composer Conrad Schnitzler (Tangerine Dream), after Euronymous found Schnitzler's home address and sat outside his house until he was eventually invited in.


(π™΄πšžπš›πš˜πš—πš’πš–πš˜πšžπšœ)

Euronymous then asked Schnitzler to compose an intro for the album; rather than record a new composition Schnitzler gave Euronymous a random piece from his archives, which would later become known as Silvester Anfang.


(π™³πšŽπšŠπš πšŠπš—πš π™΄πšžπš›πš˜πš—πš’πš–πš˜πšžπšœ)

Drummer Kjetil Manheim later stated that the band's sound was "πšœπš˜πš–πšŽπšπš‘πš’πš—πš πšπš‘πšŠπš (πšπš‘πšŽ πšœπšπšžπšπš’πš˜ πšπšŽπšŒπš‘πš—πš’πšŒπš’πšŠπš—) πšπš’πš πš—πš˜πš πš”πš—πš˜πš  πš‘πš˜πš  𝚝𝚘 πš›πšŽπšŒπš˜πš›πš, 𝚜𝚘 πš‘πšŽ πš“πšžπšœπš 𝚜𝚎𝚝 πšπš‘πšŽ πšœπšŽπšπšπš’πš—πšπšœ πšŠπš—πš 𝚠𝚎 πš›πšŽπšŒπš˜πš›πšπšŽπš".


(π™΄πšžπš›πš˜πš—πš’πš–πš˜πšžπšœ πšŠπš—πš π™Ίπš“πšŽπšπš’πš• π™ΌπšŠπš—πš‘πšŽπš’πš–)

He also noted that there was "πš—πš˜ πš–πš’πš‘, πš‹πšŽπšπš˜πš›πšŽ πš˜πš› πšŠπšπšπšŽπš›" and "πš—πš˜ πš˜πšŸπšŽπš›πšπšžπš‹πšœ: πš‹πšŠπšœπšœ, πšπš›πšžπš–πšœ, πšπšžπš’πšπšŠπš› πšŠπš›πšŽ πš•πš’πšŸπšŽ πšŠπš—πš πšπš‘πšŽπš— 𝚠𝚎 πš›πšŽπšŒπš˜πš›πšπšŽπš πšπš‘πšŽ πšŸπš˜πšŒπšŠπš•πšœ πšŠπšπšπšŽπš›".



In 2008, Daniel Ekeroth wrote, "πšƒπš‘πšŽ 𝚝𝚠𝚘 πšŸπš’πšœπš’πš˜πš—πšŠπš›πš’πšŽπšœ (π™°πšŠπš›πšœπšŽπšπš‘ πšŠπš—πš π™ΏπšŽπš› β€˜π™³πšŽπšŠπšβ€™ π™Ύπš‘πš•πš’πš—) πš™πšžπšœπš‘πšŽπš πšŽπšŠπšŒπš‘ πš˜πšπš‘πšŽπš› πšπšžπš›πšπš‘πšŽπš› πš’πš—πšπš˜ πšπšŠπš›πš”πš—πšŽπšœπšœ, πšŠπš—πš πšœπš˜πš–πšŽπšπš’πš–πšŽ πš’πš— 𝟷𝟿𝟿𝟢 πšπš‘πšŽπš’ πšπš’πš—πšŠπš•πš•πš’ πšŠπšπš˜πš™πšπšŽπš πšπš‘πšŽ πš‚πšŠπšπšŠπš—πš’πšŒ πš’πš–πšŠπšπšŽ πšπš‘πšŠπš πš πš˜πšžπš•πš πš‹πšŽπšŒπš˜πš–πšŽ 𝚜𝚘 πšŒπš›πšžπšŒπš’πšŠπš• πšπš˜πš› πšπš‘πšŽ πšπšŽπš—πš›πšŽ. π™Έπšβ€˜πšœ πš πšŽπš•πš• πšπš˜πšŒπšžπš–πšŽπš—πšπšŽπš πšπš‘πšŠπš Γ˜πš’πšœπšπšŽπš’πš— πš’πš—πš’πšπš’πšŠπš•πš•πš’ 𝚠𝚊𝚜 πšŸπšŽπš›πš’ πš’πš—πšπš˜ π™³πšŽπšŠπšπš‘ π™ΌπšŽπšπšŠπš• πšŠπš—πš π™Άπš›πš’πš—πšπšŒπš˜πš›πšŽ".


(π™³πšŠπš—πš’πšŽπš• π™΄πš”πšŽπš›πš˜πšπš‘, πšŠπšžπšπš‘πš˜πš› 𝚘𝚏 πšπš‘πšŽ πš‹πš˜πš˜πš”, πš‚πš πšŽπšπš’πšœπš‘ π™³πšŽπšŠπšπš‘ π™ΌπšŽπšπšŠπš•)

According to Dead, most, but not all of the lyrics were written by bassist Necrobutcher.


(π™ΉΓΈπš›πš— β€œπ™½πšŽπšŒπš›πš˜πš‹πšžπšπšŒπš‘πšŽπš›β€œ πš‚πšπšžπš‹πš‹πšŽπš›πšžπš)

Maniac performed vocals on all of the tracks except Pure Fucking Armageddon, which was sung by Messiah.


(π™ΌπšŠπš—πš’πšŠπšŒ)

The Venom cover Witching Hour was sung by Messiah and Maniac. Manheim played piano on (Weird) Manheim.


(π™ΌπšŠπš—πš’πšŠπšŒ πšŠπš—πš π™ΌπšŽπšœπšœπš’πšŠπš‘ πšπšžπš›πš’πš—πš πšπš‘πšŽ πš›πšŽπšŒπš˜πš›πšπš’πš—πš 𝚘𝚏 π™³πšŽπšŠπšπš‘πšŒπš›πšžπšœπš‘, 𝟷𝟿𝟾𝟽)

Critical Reception:

Despite its limited print run, the mini-album appeared in the top 20 on Kerrang! magazine's album charts.



"Chainsaw Gutsfuck" was voted "π™Όπš˜πšœπš π™Άπš›πšžπšŽπšœπš˜πš–πšŽ π™»πš’πš›πš’πšŒπšœ π™΄πšŸπšŽπš›" by Blender in 2006.





Notice: Any reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β€” E.N. Wells



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