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Machine Head β€” Burn My Eyes

  • intothewellsabyss
  • Aug 10, 2023
  • 3 min read

π…π‘πŽπŒ 𝐓𝐇𝐄 π‚π‘π˜ππ“π’ - π‚π„π‹π„ππ‘π€π“πˆππ† 𝐏𝐀𝐒𝐓 π€π‹ππ”πŒ 𝐑𝐄𝐋𝐄𝐀𝐒𝐄𝐒 𝐒𝐧 𝐭𝐑𝐞 π‡πˆπ’π“πŽπ‘π˜ 𝐨𝐟  𝐇𝐀𝐑𝐃 π‘πŽπ‚πŠ & π‡π„π€π•π˜ πŒπ„π“π€π‹β€¦



August 9, 1994 β€” Machine Head released their debut studio album, Burn My Eyes via Roadrunner Records. (Apple Music or Spotify)



The album's themes generally tie into the social disorder and corresponding inner tension that the band was exposed to in their native Oakland, California, reflected in Robb Flynn's lyrics, such as the Los Angeles Riots of 1992 and the Waco Siege of 1993.


The album's title alludes to the third part of the phrase, "π™±πšžπš›πš— πš–πš’ 𝚎𝚒𝚎𝚜 πšŠπš—πš πšπš›πš’ 𝚝𝚘 πš‹πš•πš’πš—πš πš–πšŽ" during the breakdown of Old (Watch video). The album shipped over 400,000 copies worldwide, becoming Roadrunner Records' best selling debut album until the release of Slipknot's self-titled debut album. This is Machine Head's only studio album to feature drummer Chris Kontos.


The albums cover was designed by David McKean (English illustrator, photographer, comic book artist, graphic designer, filmmaker and musician).


Background:

The songs make references to some certain well-publicized controversies such as the 1992 Los Angeles Riots (heard in dialogue on Real Eyes, Realize, Real Lies) and the Waco Siege of 1993 (Davidian - Watch video). Elsewhere, there are tales of physical and mental abuse (None But My Own, The Rage to Overcome), the condemning of profits from religious soliciting (Death Church), succumbing to substance abuse (I'm Your God Now), and aforementioned themes of urban decay, social unrest, rebellion, belligerence, or socio-political commentary.


Stylistically, the album is credited as having bridged the gap between "πšœπšŽπšŒπš˜πš—πš-πšπšŽπš—πšŽπš›πšŠπšπš’πš˜πš— π™±πšŠπš’ π™°πš›πšŽπšŠ πšƒπš‘πš›πšŠπšœπš‘ (πšƒπšŽπšœπšπšŠπš–πšŽπš—πš, π™³πšŽπšŠπšπš‘ π™°πš—πšπšŽπš•, 𝚎𝚝𝚌.) πšŠπš—πš πšπš‘πšŽ πšπš‘πšŽπš—-πš–πš˜πšπšŽπš›πš—-𝚍𝚊𝚒 π™ΏπšŠπš—πšπšŽπš›πšŠ πšœπšŒπš‘πš˜πš˜πš• 𝚘𝚏 πš‘πšŠπš›πš πš”πš—πš˜πšŒπš”πšœ."


Compared to their later releases, it's rawer and more aggressive; after changing their sound on their three subsequent albums, the style was resurrected in modified formβ€”the influences of Gothenburg were evidentβ€”on their post-Supercharger output.


The release of this album was followed shortly by numerous tours, which eventually led to drummer Chris Kontos leaving the band and being replaced, after careful consideration, by Dave McClain, who would stay with the band until 2018. Kontos, along with guitarist Logan Mader, would return to Machine Head in 2019 to celebrate the 25th anniversary of Burn My Eyes release with a tour, though neither of them officially rejoined the band.


The album has since become a lasting success. In 1994, it quickly became a Roadrunner Records best seller and was the label's best-selling debut album for a number of years, until the release of Slipknot's 1999 self-titled debut.


Critical Reception:

Q magazine (11/94, p. 115) – 𝟺 πš‚πšπšŠπš›πšœ – π™΄πš‘πšŒπšŽπš•πš•πšŽπš—πš – "...𝚊 πšŸπš’πš˜πš•πšŽπš—πš, πšπš›πš’πš—πšπš’πš—πš πšŽπš‘πš™πšŽπš›πš’πšŽπš—πšŒπšŽ, πšœπš™πš’πš”πšŽπš πš πš’πšπš‘ πšœπš˜πšŒπš’πšŠπš• πšŒπš˜πš–πš–πšŽπš—πš πšŠπš—πš πšœπš™πš›πšžπšŒπšŽπš πšžπš™ πš πš’πšπš‘ πšœπš˜πš–πšŽ πš‹πš›πšŠπš’πš—- πšπš’πš—πšπš•πš’πš—πš πšπšžπš’πšπšŠπš›..."


Kerrang! (p. 21) – "π™±πšžπš›πš— π™Όπš’ π™΄πš’πšŽπšœ πšπš˜πš˜πš” πšπš‘πšŽ πš‘πšŽπšŠπšŸπš’πš—πšŽπšœπšœ πšŠπš—πš πšœπš™πšŽπšŽπš 𝚘𝚏 πšƒπš‘πš›πšŠπšœπš‘ πšŠπš—πš πšŒπš˜πš–πš‹πš’πš—πšŽπš πš’πš πš πš’πšπš‘ πšπš‘πšŽ πšœπš•πšŽπšπšπšŽπš‘πšŠπš–πš–πšŽπš› πšπš›πš˜πš˜πšŸπšŽπšœ 𝚘𝚏 πš–πš˜πš›πšŽ πš•πšŽπšπš-πšπš’πšŽπš•πš 𝚊𝚌𝚝𝚜."


Kerrang! (p. 53) – "π™Ύπš—πšŽ 𝚘𝚏 πšπš‘πšŽ πš–πš˜πšœπš πšπšŽπš›πš˜πšŒπš’πš˜πšžπšœ πšŠπš—πš πšπš›πš˜πš˜πšŸπšŽ-πš•πšŠπšπšŽπš— πš‹πšŽπš‘πšŽπš–πš˜πšπš‘πšœ πšπš‘πšŽ π™ΌπšŽπšπšŠπš• πš πš˜πš›πš•πš πš‘πšŠπšœ, πšŠπš—πš πš•πš’πš”πšŽπš•πš’ πš πš’πš•πš• πšŽπšŸπšŽπš› 𝚜𝚎𝚎."


Cancelled Reissue:

On October 31, 2006, Roadrunner Records announced that as part of their 25th anniversary, they would be re-releasing Burn My Eyes with a bonus CD, which includes previously unreleased tracks and rarities.


It was said to be due out on January 8, 2007, but was then pushed back to September 2007 so it would not interfere with the release of The Blackening. However, the re-release was in fact cancelled. Robb Flynn explained this on his blog, which is posted on Machinehead1.com;

"πšƒπš˜ πšπš‘πšŽ πš‹πšŽπšœπš 𝚘𝚏 πš˜πšžπš› πš”πš—πš˜πš πš•πšŽπšπšπšŽ, πšπš‘πšŽ 𝙱𝙼𝙴 πš›πšŽ-πš›πšŽπš•πšŽπšŠπšœπšŽ πšπš‘πšŠπš 𝚠𝚊𝚜 πšœπšžπš™πš™πš˜πšœπšŽπš 𝚝𝚘 πš‘πšŠπšŸπšŽ πšŒπš˜πš’πš—πšŒπš’πšπšŽπš πš πš’πšπš‘ πšπš‘πšŽ πŸΈπŸ»πšπš‘ πšŠπš—πš—πš’πšŸπšŽπš›πšœπšŠπš›πš’ 𝚘𝚏 πšπš˜πšŠπšπš›πšžπš—πš—πšŽπš› πšπšŽπšŒπš˜πš›πšπšœ πš‹πšŠπšŒπš” πš’πš— 𝟸𝟢𝟢𝟻 πšŠπš—πš 𝚠𝚊𝚜 πšπš‘πšŽπš— πš›πšŽ-πšœπšŒπš‘πšŽπšπšžπš•πšŽπš 𝚝𝚘 πš‹πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽπš πš’πš— π™ΎπšŒπš 𝟸𝟢𝟢𝟼, has been back-burnered. π™°πš—πš 𝚊𝚜 πšπšŠπš› 𝚊𝚜 πš πšŽβ€˜πš›πšŽ πšŒπš˜πš—πšŒπšŽπš›πš—πšŽπš, πšπš‘πšŠπšβ€™πšœ 𝚊 𝚐𝚘𝚘𝚍 πšπš‘πš’πš—πš. πšƒπš‘πš’πšœ πš’πšœ πšπš‘πšŽ πš’πšŽπšŠπš› 𝚘𝚏 πšƒπš‘πšŽ π™±πš•πšŠπšŒπš”πšŽπš—πš’πš—πš, πšŠπš—πš πšπš‘πšŽ πšπš’πš–πšŽ πšπš›πšŠπš–πšŽ 𝚝𝚘 πš›πšŽ-πš›πšŽπš•πšŽπšŠπšœπšŽ πš’πš πš‘πšŠπšœ πš™πšŠπšœπšœπšŽπš, πš—πš˜πš 𝚝𝚘 πš–πšŽπš—πšπš’πš˜πš— πšπš‘πšŠπš πšπš‘πšŽ πš’πšπšŽπšŠ 𝚘𝚏 πš›πšŽ-πš›πšŽπš•πšŽπšŠπšœπš’πš—πš 𝚊 𝟷𝟹-πš’πšŽπšŠπš› πš˜πš•πš πšŠπš•πš‹πšžπš– πšπš‘πšŠπš 𝚠𝚎 πšŠπš•πš›πšŽπšŠπšπš’ πšŒπšŽπš•πšŽπš‹πš›πšŠπšπšŽπš πš πš’πšπš‘ 𝟸 πšŠπš—πš—πš’πšŸπšŽπš›πšœπšŠπš›πš’ πšœπš‘πš˜πš πšœ (𝟹 πš’πšŽπšŠπš›πšœ 𝚊𝚐𝚘) πš–πšŠπš”πšŽπšœ πš£πšŽπš›πš˜ πšœπšŽπš—πšœπšŽ 𝚝𝚘 𝚞𝚜. πš†πšŽ πš πšŽπš›πšŽ πš—πšŽπšŸπšŽπš› πšŽπš‘πšŒπš’πšπšŽπš πšŠπš‹πš˜πšžπš πš›πšŽ-πš’πšœπšœπšžπš’πš—πš πš’πš 𝚝𝚘 πš‹πšŽπšπš’πš— πš πš’πšπš‘, 𝚊𝚜 πš’πš 𝚠𝚊𝚜 πš“πšžπšœπš πšπš˜πš—πš—πšŠ πš‘πšŠπšŸπšŽ 𝚊 πš‹πšžπš—πšŒπš‘ 𝚘𝚏 πš‹-πšœπš’πšπšŽπšœ, πšŠπš—πš πš πš˜πšžπš•πšπš—β€˜πš πš‘πšŠπšŸπšŽ πš‹πšŽπšŽπš— πš—πšŽπšŠπš›πš•πš’ 𝚊𝚜 πšŒπš˜πš˜πš• πšœπš˜πš–πšŽ 𝚘𝚏 πšπš‘πšŽ πš˜πšπš‘πšŽπš› πš›πšŽ-πš’πšœπšœπšžπšŽπšœ πšπš‘πšŠπš πš‘πšŠπš π™³πš…π™³πšœ πšŠπš—πš πšŠπš•πš• πšœπš˜πš›πšπšœ 𝚘𝚏 πšŒπš˜πš˜πš• πšœπš‘πš’πš... 𝚜𝚘, 𝚊𝚜 πš–πšžπšŒπš‘ 𝚊𝚜 πšœπš˜πš–πšŽ 𝚘𝚏 𝚒𝚘𝚞 πš–πšŠπš’ πš‹πšŽ πš‹πšžπš–πš–πšŽπš, πš”πš—πš˜πš  πšπš‘πšŠπš πš’πšβ€™πšœ πš‹πšŽπšπšπšŽπš› πšπš‘πš’πšœ 𝚠𝚊𝚒."

Notice: Any reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β€” E.N. Wells



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