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Iron Maiden β€” The Final Frontier

  • intothewellsabyss
  • Aug 13, 2023
  • 6 min read

π…π‘πŽπŒ 𝐓𝐇𝐄 π‚π‘π˜ππ“π’ - π‚π„π‹π„ππ‘π€π“πˆππ† 𝐏𝐀𝐒𝐓 π€π‹ππ”πŒ 𝐑𝐄𝐋𝐄𝐀𝐒𝐄𝐒 𝐒𝐧 𝐭𝐑𝐞 π‡πˆπ’π“πŽπ‘π˜ 𝐨𝐟  𝐇𝐀𝐑𝐃 π‘πŽπ‚πŠ & π‡π„π€π•π˜ πŒπ„π“π€π‹β€¦



August 13, 2010 β€” Iron Maiden released their fifteenth studio album, The Final Frontier via EMI Records in Germany, Austria and Finland. (Listen: Apple Music or Spotify)


It was released on August 17 in North America, August 18 in Japan, and August 16 worldwide.


Background:

At 76 minutes and 34 seconds, it is the band's second-longest studio album to date, a duration surpassed only by 2015's The Book of Souls.


Melvyn Grant, a long-time contributor to the band's artwork, created the cover art.


It is the band's final album to be released through EMI Records, marking the end of their 30-year relationship. It is also the last album to use the band's alternate logo.


The album received favorable reviews from critics and peaked at No. 1 in 28 countries. This included the United Kingdom, where it became the band's fourth release to top the UK Albums Chart following 1982's The Number of the Beast, 1988's Seventh Son of a Seventh Son and 1992's Fear of the Dark. On top of this, The Final Frontier also charted at No. 4 in the United States, marking their highest placement on the Billboard 200, in addition to gaining the band their first Grammy Award in the Best Metal Performance category for the song El Dorado, released as a free download on June 8,

2010.


EMI released the album in most of the world, while in the United States it was released jointly by Universal Music Enterprises and Sony Music Entertainment – the successor to the Sanctuary Records/Columbia Records joint venture that had previously controlled the Iron Maiden catalog in North America.


On April 22, 2009, during a Rock Radio interview promoting Iron Maiden: Flight 666, drummer Nicko McBrain mentioned that Iron Maiden had booked studio time for early 2010.


On June 8, the album artwork, release date, and track listing were revealed, along with the free download of the track El Dorado. The album was released as a regular CD, an iTunes LP, a digital download, a vinyl picture disc, and a limited collector's Mission Edition, containing interviews and a game entitled Mission II: Rescue & Revenge.


The North American leg of their tour in support of the album started in Dallas, Texas on June 9, 2010, with a European tour beginning in Dublin on July 30. As these dates preceded the record's release, El Dorado was the only new song played in 2010. The full album tour commenced in Moscow on February 11, 2011, and would see the band visit South East Asia, Australia, South America and Florida, as well as returning to Europe. The tour led to the release of a live album and video, entitled En Vivo!, which was released in March 2012.


Prior to its release, bassist and band founder Steve Harris was quoted as saying that he imagined the band would release a total of fifteen studio albums.


The title, which also shares its name with its supporting tour and opening track, fuelled further rumours that The Final Frontier would be Iron Maiden's last, however the band members admitted they hoped to make further releases and continue touring in the future. Harris in particular has stated that "πš’πš πšπš‘πšŽπš›πšŽβ€˜πšœ πšπš’πš–πšŽ πšŠπš—πš 𝚠𝚎 πšŠπš•πš• πš πšŠπš—πš—πšŠ 𝚍𝚘 πš’πš, πšπš‘πšŽπš— πš πš‘πš’ πš—πš˜πš? π™Έπš πš πš˜πšžπš•πš πš‹πšŽ 𝚜𝚊𝚍 πš’πš 𝚠𝚎 πšπš˜πš—β€˜πš πš–πšŠπš”πšŽ πšŠπš—πš˜πšπš‘πšŽπš› πšŠπš•πš‹πšžπš–, πšŠπš—πš 𝚜𝚊𝚍 πšπš˜πš› πšπš‘πšŽ πšπšŠπš—πšœ 𝚝𝚘𝚘", while vocalist Bruce Dickinson admits that the title was largely mischief. In June 2010, Dickinson stated that he thought up the album's title 15 months previously:

"𝙸 πš“πšžπšœπš πšπš‘πš˜πšžπšπš‘πš β€˜πš†πšŽ πšœπš‘πš˜πšžπš•πš πšŒπšŠπš•πš• πšπš‘πšŽ πš—πšŽπš‘πš πšŠπš•πš‹πšžπš– πšƒπš‘πšŽ π™΅πš’πš—πšŠπš• π™΅πš›πš˜πš—πšπš’πšŽπš›!' πš‹πšŽπšŒπšŠπšžπšœπšŽ πš’πš πšœπš˜πš›πš 𝚘𝚏 πš’πšœ ... π™Έπš πšŒπš˜πšžπš•πš πš‹πšŽ, πš‹πšžπš πš’πš πš–πš’πšπš‘πš πš—πš˜πš πš‹πšŽ! π™Έπš πš–πšŽπšŠπš—πšœ 𝚠𝚎 πšŒπšŠπš— 𝚐𝚘 πš‹πšŠπšŒπš” 𝚝𝚘 πšœπš™πšŠπšŒπšŽ πšπš˜πš› πšŠπš— π™΄πšπšπš’πšŽ πšŠπš—πš πšπš‘πš’πš—πšπšœ πš•πš’πš”πšŽ πšπš‘πšŠπš, πšŠπš—πš 𝚠𝚎 πš‘πšŠπšŸπšŽπš—β€˜πš πšπš˜πš—πšŽ πšπš‘πšŠπš πšπš˜πš› 𝚊 πš πš‘πš’πš•πšŽ. π™Έπš πš‘πšŠπšœ 𝚊 πšŒπšŽπš›πšπšŠπš’πš— πš›πš˜πš–πšŠπš—πšŒπšŽ 𝚝𝚘 πš’πš."

On November 2, 2009, Janick Gers confirmed to BBC News that the band already had new material written and would head to Paris, France, to start composing and rehearsing the bulk of the new album. According to Dickinson, "𝚠𝚎 πš‘πšŠπš πš™πš›πš˜πš‹πšŠπš‹πš•πš’ πšπš‘πšŽ πš•πšŽπšŠπšœπš πšŠπš–πš˜πšžπš—πš 𝚘𝚏 πš™πš›πšŽπš™πšŠπš›πšŠπšπš’πš˜πš— πš πšŽβ€˜πšŸπšŽ πšŽπšŸπšŽπš› πš‘πšŠπš, πš πš‘πš’πšŒπš‘ πš’πšœ πš‹πš’πš£πšŠπš›πš›πšŽ πš‹πšŽπšŒπšŠπšžπšœπšŽ πš’πšβ€™πšœ πšπš‘πšŽ πš•πš˜πš—πšπšŽπšœπš πšŠπš—πš πš–πš˜πšœπš πšŒπš˜πš–πš™πš•πš’πšŒπšŠπšπšŽπš πš›πšŽπšŒπš˜πš›πš 𝚘𝚏 πšŠπš•πš• 𝚘𝚏 πšπš‘πšŽπš–." After taking time off for Christmas, recording commenced in January at Compass Point Studios, Nassau, Bahamas, with Kevin Shirley producing. This was the first time the band returned to the Bahamas since they last recorded at Compass Point in the 1980s, to which Dickinson remarked:

β€œπšƒπš‘πšŽ πšœπšπšžπšπš’πš˜ πš‘πšŠπš πšπš‘πšŽ πšœπšŠπš–πšŽ πšŸπš’πš‹πšŽ πšŠπš—πš πš’πš 𝚠𝚊𝚜 πšŽπš‘πšŠπšŒπšπš•πš’ 𝚊𝚜 πš’πš πš‘πšŠπš πš‹πšŽπšŽπš— πš’πš— 𝟷𝟿𝟾𝟹, πš—πš˜πšπš‘πš’πš—πš πš‘πšŠπš πšŒπš‘πšŠπš—πšπšŽπš! π™΄πšŸπšŽπš— πšπš˜πš πš— 𝚝𝚘 πšπš‘πšŽ πš‹πš›πš˜πš”πšŽπš— πšœπš‘πšžπšπšπšŽπš› πš’πš— πšπš‘πšŽ πšŒπš˜πš›πš—πšŽπš›... πšœπšŠπš–πšŽ πšŒπšŠπš›πš™πšŽπš... πšŽπšŸπšŽπš›πš’πšπš‘πš’πš—πš... π™Έπš 𝚠𝚊𝚜 πš›πšŽπšŠπš•πš•πš’ πššπšžπš’πšπšŽ πšœπš™πš˜πš˜πš”πš’. π™±πšžπš 𝚠𝚎 πšπšŽπš•πš πšŸπšŽπš›πš’ πš›πšŽπš•πšŠπš‘πšŽπš πš’πš— πšœπšžπšŒπš‘ 𝚊 πšπšŠπš–πš’πš•πš’πšŠπš› πšŠπš—πš πš πšŽπš•πš•-πšπš›πš˜πšπšπšŽπš— πšŽπš—πšŸπš’πš›πš˜πš—πš–πšŽπš—πš πšŠπš—πš 𝙸 πšπš‘πš’πš—πš” πšπš‘πš’πšœ πšœπš‘πš˜πš πšœ πš’πš— πšπš‘πšŽ πš™πš•πšŠπš’πš’πš—πš πšŠπš—πš πšπš‘πšŽ πšŠπšπš–πš˜πšœπš™πš‘πšŽπš›πšŽ 𝚘𝚏 πšπš‘πšŽ πšŠπš•πš‹πšžπš–.”

After a month in Nassau, the production was moved to Malibu, California, where the songs were mixed and additional vocals were recorded.


On April 6, Shirley told Blabbermouth.net that he had completed mixing the album, and commented on the final stages of its production on May 6;

"π™±πš›πšžπšŒπšŽ π™³πš’πšŒπš”πš’πš—πšœπš˜πš— πšπš•πšŽπš  πš’πš— πšπš˜πš› 𝚊 𝚏𝚎𝚠 𝚍𝚊𝚒𝚜 πšŠπš—πš πšœπšŠπš—πš πšŠπš•πš• πš‘πš’πšœ πš™πšŠπš›πšπšœ πš‹πšŽπšπš˜πš›πšŽ πšπš•πš’πš’πš—πš 𝚘𝚏𝚏 𝚝𝚘 πšπš‘πšŽ πšπš˜πšžπš› πšŒπš˜πš›πš—πšŽπš›πšœ 𝚘𝚏 πšπš‘πšŽ πšπš•πš˜πš‹πšŽ πšŠπš—πš πš‚πšπšŽπšŸπšŽ π™·πšŠπš›πš›πš’πšœ 𝚜𝚝𝚊𝚒𝚎𝚍 πš‹πšŽπš‘πš’πš—πš 𝚝𝚘 πšπš’πš—πš’πšœπš‘ πšπš‘πšŽ πš›πšŽπšŒπš˜πš›πš πš πš’πšπš‘ πš–πšŽ. π™°πšπš›πš’πšŠπš— πš‚πš–πš’πšπš‘ [πšπšžπš’πšπšŠπš›πšœ] πšπš›πš˜πš™πš™πšŽπš πš’πš— πšπš›πš˜πš– πšπš’πš–πšŽ 𝚝𝚘 πšπš’πš–πšŽ 𝚝𝚘 πš‘πšŽπšŠπš› 𝚜𝚝𝚞𝚏𝚏, πšŠπš—πš πš•πš’πš”πšŽ πš’πš— πšŠπš—πš’ πš‹πšŠπš—πš, πš—πš˜πš πšŽπšŸπšŽπš›πš’πš˜πš—πšŽ πš‘πšŠπšœ πšπš‘πšŽ πšœπšŠπš–πšŽ πšŽπš—πš πš›πšŽπšœπšžπš•πš πš’πš— πš–πš’πš—πš, πš‹πšžπš 𝚠𝚎 𝚐𝚎𝚝 πšπš‘πšŽπš›πšŽ."

The album is the fourth for which Steve Harris receives writing credits for every track, following Killers (1981), Brave New World (2000), and A Matter of Life and Death (2006), although the final track, When the Wild Wind Blows, is the only song which he wrote on his own. Adrian Smith explains that, in recent years, Harris has become "πš–πš˜πš›πšŽ πš’πš—πšπš˜ πš πš›πš’πšπš’πš—πš πš•πš’πš›πš’πšŒπšœ πšŠπš—πš πš–πšŽπš•πš˜πšπš’πšŽπšœ πšŠπš—πš πšŠπš›πš›πšŠπš—πšπš’πš—πš" other members' tracks and only "πš‹πš›πš’πš—πšπšœ πš’πš— πš˜πš—πšŽ πš˜πš› 𝚝𝚠𝚘 πšœπš˜πš—πšπšœ" of his own.


As mentioned previously, El Dorado was released as a free digital download on the band's official website on June 8 and went on to win in the Best Metal Performance category at the 2011 Grammy Awards. According to Smith, the song's lyrics, penned by Dickinson, are based on the economic recession which began in 2007 and comment on "πš™πšŽπš˜πš™πš•πšŽβ€™πšœ πšŽπš‘πš™πšŽπšŒπšπšŠπšπš’πš˜πš—πšœ 𝚘𝚏 𝚊 πš‹πšŽπšπšπšŽπš› πš•πš’πšπšŽ" and how "πšπš‘πšŽ πš›πšžπš [𝚠𝚊𝚜] πš™πšžπš•πš•πšŽπš 𝚘𝚞𝚝 πšπš›πš˜πš– πšžπš—πšπšŽπš› πšπš‘πšŽπš–" as a result of lending.


The album's first and only music video, containing the latter half of Satellite 15... The Final Frontier (Watch video), was filmed in Rendlesham Forest, south-east England, and released on July 13. Although the album has no official singles, both El Dorado and the second part of Satellite 15... The Final Frontier (along with its music video) were issued as radio promos before the album's release. Coming Home was also released as a radio single on October 27, featuring an alternative "πš›πšŠπšπš’πš˜ πšŽπšπš’πš" version of the song.


In a July 1, 2010 interview with Billboard, guitarist Dave Murray commented that the album mixes "πšœπšπš›πšŠπš’πšπš‘πš-πšŠπš‘πšŽπšŠπš, πšžπš™πšπšŽπš–πš™πš˜ πš›πš˜πšŒπš” πšœπš˜πš—πšπšœ πš πš’πšπš‘ 𝚐𝚘𝚘𝚍 πšπš›πš˜πš˜πšŸπšŽπšœ πš πš’πšπš‘ πšœπš˜πš–πšŽ πš˜πšπš‘πšŽπš› πšπš›πšŠπšŒπš”πšœ πšπš‘πšŠπš πšŠπš›πšŽ πš”πš’πš—πš 𝚘𝚏 πš•πš˜πš—πšπšŽπš› πšŠπš—πš πš–πš˜πš›πšŽ πšŒπš˜πš–πš™πš•πšŽπš‘", referring particularly to When the Wild Wind Blows, the band's fifth longest song after Empire of the Clouds, Rime of the Ancient Mariner, The Red and the Black and Sign of the Cross: Interviewed for the Pittsburgh Post-Gazette on July 14, guitarist Janick Gers discussed the album's overall sound:

"πš†πšŽβ€˜πš›πšŽ πšπšŠπš”πš’πš—πš πš’πš 𝚝𝚘 πšŽπš‘πšπš›πšŽπš–πšŽπšœ... πšπš‘πšŽ πš˜πš—πšŽ πšœπš˜πš—πš 𝚠𝚎 πš›πšŽπš•πšŽπšŠπšœπšŽπš [π™΄πš• π™³πš˜πš›πšŠπšπš˜] πš’πšœπš—β€™πš πš’πš—πšπš’πšŒπšŠπšπš’πšŸπšŽ 𝚘𝚏 πšπš‘πšŽ πš›πšŽπšœπš 𝚘𝚏 πšπš‘πšŽ πšŠπš•πš‹πšžπš–β€”πšπš‘πšŽπš›πšŽβ€˜πšœ 𝚜𝚘 πš–πšŠπš—πš’ πšπš’πšπšπšŽπš›πšŽπš—πš πšπšŽπšŽπš•πšœ πšŠπš—πš 𝚠𝚊𝚒𝚜 𝚘𝚏 πš™πš•πšŠπš’πš’πš—πš πš˜πš— πšπš‘πšŽ πšŠπš•πš‹πšžπš–. πš†πšŽ 𝚐𝚘 πšπš‘πš›πš˜πšžπšπš‘ πšœπš˜πš–πšŽ πšπš’πšπšπšŽπš›πšŽπš—πš πšŠπšπšπš’πšπšžπšπšŽπšœ πšŠπš—πš πšπšŠπš”πšŽ 𝚒𝚘𝚞 𝚝𝚘 πšπš’πšπšπšŽπš›πšŽπš—πš πš™πš•πšŠπšŒπšŽπšœ. πšƒπš‘πšŽπš›πšŽβ€˜πšœ 𝚊 πš•πš˜πš 𝚘𝚏 πš•πš˜πš—πš πšπš‘πšŽπš–πšŠπšπš’πšŒ πšπšžπš—πšŽπšœ πš˜πš— πšπš‘πš’πšœ πšŠπš•πš‹πšžπš–. π™°πš—πš πšœπš˜πš–πšŽ πšŸπšŽπš›πš’ πšŸπšŠπš›πš’πšŽπš πš–πšžπšœπš’πšŒ."

Speaking to Classic Rock Magazine in June 2010, Bruce Dickinson stated that "πšƒπš‘πš’πšœ πš˜πš—πšŽ πš’πšœ πš™πš›πš˜πš‹πšŠπš‹πš•πš’ πšπš‘πšŽ πšπš›πšŽπšŠπšπšŽπšœπš πšπšŽπš™πšŠπš›πšπšžπš›πšŽ πšπš›πš˜πš– πš˜πšžπš› πšœπš˜πšžπš—πš. πšƒπš‘πšŠπšβ€˜πšœ πšπš›πšŽπšŠπš, πšŠπšπšπšŽπš› πšπš˜πš’πš—πš πš’πš πšŠπš•πš• πšπš˜πš› πšπš‘πš’πšœ πš•πš˜πš—πš, 𝚝𝚘 πšœπšπš’πš•πš• πš‹πšŽ πšπš’πšπšžπš›πš’πš—πš 𝚜𝚝𝚞𝚏𝚏 𝚘𝚞𝚝. πš†πšŽ πšŒπš˜πšžπš•πš πš“πšžπšœπš πš‹πšŽ πš‹πš˜πš›πšŽπš πš‹πš’ πš’πš πšŠπš•πš•, πš‹πšžπš πš πšŽβ€˜πš›πšŽ πš˜πš‹πšŸπš’πš˜πšžπšœπš•πš’ πš—πš˜πš."


Although El Dorado would be the only new song featured in the 2010 leg of The Final Frontier World Tour, Satellite 15... The Final Frontier, The Talisman, Coming Home and When The Wild Wind Blows were added to the setlist in 2011. El Dorado, Coming Home and When the Wild Wind Blows were later featured on the "Best Of" album From Fear to Eternity.


Notice: The reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β€” E.N. Wells



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