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Extreme Noise Terror β€” Damage 381

  • intothewellsabyss
  • Jul 29, 2023
  • 2 min read

π…π‘πŽπŒ 𝐓𝐇𝐄 π‚π‘π˜ππ“π’ - π‚π„π‹π„ππ‘π€π“πˆππ† 𝐏𝐀𝐒𝐓 π€π‹ππ”πŒ 𝐑𝐄𝐋𝐄𝐀𝐒𝐄𝐒 𝐒𝐧 𝐭𝐑𝐞 π‡πˆπ’π“πŽπ‘π˜ 𝐨𝐟  𝐇𝐀𝐑𝐃 π‘πŽπ‚πŠ & π‡π„π€π•π˜ πŒπ„π“π€π‹β€¦



July 29, 1997 β€” Extreme Noise Terror (aka ENT) released their fourth full-length studio album, Damage 381 via Earache Records. (Apple Music or Spotify)



The albums title track was measured at 381 beats per minute (or BPM) on a metronome when recorded, which is where the name of the album was derived.



Background:

In late 1996, founding member Phil Vane (R.I.P.) left ENT to join Napalm Death. In an example of trading places, Napalm Death frontman Mark "Barney" Greenway agreed to join ENT during the recording of their album, Damage 381.



The album showed minimal signs of Crust Punk and saw ENT moving further into Death Metal territory, while reincorporating some of the blast beats and screamed vocals that had been missing from their previous two releases. The album benefited from the production of noted Metal producer Colin Richardson.



This union was short lived however, as at the same time Napalm Death were having a hard time getting the vocals that they wanted from Vane and asked Greenway to return, which he agreed to do, leaving ENT once again lacking a second vocalist. Vane subsequently returned to the band in 1997.


Critical Reception:

In Rock Hard edition #124 Jan Jaedike wrote;

β€œπ™±πšŠπš›πš—πšŽπš’ π™Άπš›πšŽπšŽπš—πš πšŠπš’ πšœπš‘πš˜πšžπš•πš πš‹πšŽ πš˜πšŸπšŽπš›πš“πš˜πš’πšŽπš πš πš’πšπš‘ π™³πšŠπš–πšŠπšπšŽ 𝟹𝟾𝟷 πšŠπš—πš πš•πš˜πšŸπšŽ πš’πš πš–πš˜πš›πšŽ πšπš‘πšŠπš— πšŠπš—πš’ π™½πšŠπš™πšŠπš•πš– π™³πšŽπšŠπšπš‘ πš˜πšžπšπš™πšžπš πš‘πšŽβ€˜πšœ πš‹πšŽπšŽπš— πšŠπš•πš•πš˜πš πšŽπš 𝚝𝚘 πš–πš’πšŒ πš˜πš—. π™Έπš— 𝚏𝚊𝚌𝚝, π™³πšŠπš–πšŠπšπšŽ 𝟹𝟾𝟷 πš πš˜πšžπš•πš πšπšŽπšπš’πš—πš’πšπšŽπš•πš’ πš‹πšŽ πšπš‘πšŽ πš‹πšŽπšœπš π™½πšŠπš™πšŠπš•πš– π™³πšŽπšŠπšπš‘ 𝙻𝙿 πšœπš’πš—πšŒπšŽ π™΅πš›πš˜πš– π™΄πš—πšœπš•πšŠπšŸπšŽπš–πšŽπš—πš πšƒπš˜ π™Ύπš‹πš•πš’πšπšŽπš›πšŠπšπš’πš˜πš—".

While one review at metal-archives.com stated;

β€œπš‚πšŠπšπš•πš’ πšπš‘πš’πšœ πšžπš—πš’πš˜πš— πš πš’πšπš‘ π™±πšŠπš›πš—πšŽπš’ 𝚠𝚊𝚜 πš—πš˜πš 𝚝𝚘 πš•πšŠπšœπš - π™Ώπš‘πš’πš• 𝚠𝚊𝚜 πš‹πš˜πš˜πšπšŽπš πšπš›πš˜πš– 𝙽𝙳 πšπš˜πš› πš—πš˜πš πš–πšŠπš”πš’πš—πš πšπš‘πšŽ πšπš›πšŠπšπšŽ πšŠπš—πš π™±πšŠπš›πš—πšŽπš’ 𝚠𝚊𝚜 πšŠπšœπš”πšŽπš 𝚝𝚘 πš›πšŽπšπšžπš›πš— 𝚝𝚘 πšπš‘πšŽ πš‹πšŠπš—πš, πš‹πšžπš πšπš‘πš’πšœ πš πšŠπšœπš—β€˜πš 𝚊 πšπš›πšžπš’πšπš•πšŽπšœπšœ πšœπš’πšπšžπšŠπšπš’πš˜πš—. π™°πšœπš’πšπšŽ πšπš›πš˜πš– πšπš‘πš’πšœ πšŠπš•πš‹πšžπš–, πš πš‘πš’πšŒπš‘ πš’πšœ πšπš‘πšŽ πš‹πšŠπš—πšβ€˜πšœ πšπš’πš—πšŽπšœπš πš‘πš˜πšžπš›, 𝙽𝙳 πšŒπš•πšŽπšŠπš›πš•πš’ πšœπšπšŠπš›πšπšŽπš πš•πš’πšœπšπšŽπš—πš’πš—πš 𝚝𝚘 π™±πšŠπš›πš—πšŽπš’ πš–πš˜πš›πšŽ πš˜πš— πšπš˜πš•πš•πš˜πš πš’πš—πš πšŠπš•πš‹πšžπš–πšœ 𝚊𝚜 πšπš‘πšŽπš’πš› πš–πšžπšœπš’πšŒβ€™πšœ πš’πš—πšπšŽπš—πšœπš’πšπš’ πš’πš—πšŒπš›πšŽπšŠπšœπšŽπš, πš‹πšŽπšπš˜πš›πšŽ πš•πšŽπšŠπšŸπš’πš—πš π™΄πšŠπš›πšŠπšŒπš‘πšŽ πš πš’πšπš‘ πšπš‘πšŽ πšπšžπš›πš— 𝚘𝚏 πšπš‘πšŽ πš–πš’πš•πš•πšŽπš—πš—πš’πšžπš– πšŠπš—πš πšœπš‘πš’πšπšπš’πš—πš 𝚝𝚘 𝚊 πš™πšžπš›πšŽπš› π™³πšŽπšŠπšπš‘/π™Άπš›πš’πš—πš πšœπš˜πšžπš—πš. π™°πšœ πšπš›πšŽπšŠπš 𝚊𝚜 πšπš‘πšŽ πš•πšŽπšπšŠπšŒπš’ πšπš‘πš’πšœ πšœπš’πšπšžπšŠπšπš’πš˜πš— πš‘πšŠπš πš˜πš— π™½π™³β€™πšœ πš–πšžπšœπš’πšŒ πš’πšœ, πšπš‘πš’πšœ πšŠπš•πš‹πšžπš– πš’πšœ πš‘πš˜πš—πšŽπšœπšπš•πš’ πšŽπšŸπšŽπš— πš‹πšŽπšπšπšŽπš› πšπš‘πšŠπš— 𝚊 πš•πš˜πš 𝚘𝚏 πš πš‘πšŠπš 𝙽𝙳 πš‘πšŠπšœ πšπš˜πš—πšŽ πšœπš’πš—πšŒπšŽ πšπš‘πšŽπš— - 𝚍𝚘 πš—πš˜πš πšœπš”πš’πš™ πšπš‘πš’πšœ πš˜πš—πšŽ 𝚘𝚞𝚝.

Notice: Any reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β€” E.N. Wells



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