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Exhumed β€” Anatomy Is Destiny

  • intothewellsabyss
  • Jul 29, 2023
  • 2 min read

π…π‘πŽπŒ 𝐓𝐇𝐄 π‚π‘π˜ππ“π’ - π‚π„π‹π„ππ‘π€π“πˆππ† 𝐏𝐀𝐒𝐓 π€π‹ππ”πŒ 𝐑𝐄𝐋𝐄𝐀𝐒𝐄𝐒 𝐒𝐧 𝐭𝐑𝐞 π‡πˆπ’π“πŽπ‘π˜ 𝐨𝐟  𝐇𝐀𝐑𝐃 π‘πŽπ‚πŠ & π‡π„π€π•π˜ πŒπ„π“π€π‹β€¦



July 29, 2003 β€” Exhumed released their third full-length studio album, Anatomy Is Destiny via Relapse Records. The album was produced by famed producer and engineer Neil Kernon (QueensrΓΏche, Nevermore, Dokken, Flotsam and Jetsam, Macabre, Cannibal Corpse, etc.). (Apple Music or Spotify)



The album is regarded as Exhumed's "πš–πš˜πšœπš πšŒπš›πš’πšπš’πšŒπšŠπš•πš•πš’ πšŠπšŒπšŒπš•πšŠπš’πš–πšŽπš" album, and has been compared to the albums, Heartwork and Necrotism by Death/Grind legends Carcass. The title of the album is taken from a quote by Sigmund Freud. The only album to feature Bud Burke on bass before switching to guitar on Necrocracy. The last album to feature guitarist Mike Beams and drummer Col Jones.



Background:

Anatomy Is Destiny saw the band evolve further with their third album, adding more sophisticated arrangements, production and instrumentation. Bassist Leon del Muerte replaced Bud Burke soon after the album was recorded.



Harvey described the album as "𝚊 πš‹πš’πš πšœπšπšŽπš™ πšπš˜πš›πš πšŠπš›πš", but retrospectively criticized the album for its lack of memorable choruses. He said of Anatomy Is Destiny, "π™Έπš— πš–πšŠπš—πš’ 𝚠𝚊𝚒𝚜 πš’πšβ€˜πšœ πš˜πšžπš› πš‹πšŽπšœπš πšŠπš•πš‹πšžπš–, πš‹πšžπš πš’πš— πš“πšžπšœπš 𝚊𝚜 πš–πšŠπš—πš’, 𝚠𝚎 πš–πš’πšœπšœπšŽπš πšπš‘πšŽ πš–πšŠπš›πš” πš˜πš— 𝚊 πš‹πšžπš—πšŒπš‘ 𝚘𝚏 πšπš‘πš’πš—πšπšœ."



Co-founder and drummer Col Jones departed Exhumed in 2003, which affected the creative chemistry of the band. Harvey recalled, "π™°πšπšπšŽπš› πš‘πšŽ (π™Ήπš˜πš—πšŽπšœ) πš•πšŽπšπš πš’πš 𝚠𝚊𝚜 𝚊 πš‹πš’πš πšŠπšπš“πšžπšœπšπš–πšŽπš—πš. πšƒπš‘πšŽ πšŠπš—πšŠπšπš˜πš–πš’ 𝚘𝚏 πšπš‘πšŽ πš‹πšŠπš—πš πš“πšžπšœπš πšπš’πšœπšœπš˜πš•πšŸπšŽπš πšŠπš—πš πšŽπšŸπšŽπš›πš’πšπš‘πš’πš—πš πšπšŽπš•πš• πšŠπš™πšŠπš›πš."



Critical Reception:

The album received much deserved praise upon its release, with one review at Aversiononline.com stating;

β€œπ™Έβ€˜πšŸπšŽ πš›πšŽπšŠπš πš—πšžπš–πšŽπš›πš˜πšžπšœ πš›πšŽπšŸπš’πšŽπš πšœ πšŒπš˜πš–πš™πšŠπš›πš’πš—πš πšπš‘πš’πšœ πš›πšŽπšŒπš˜πš›πš 𝚝𝚘 π™·πšŽπšŠπš›πšπš πš˜πš›πš”, πš‹πšžπš πšπš‘πšŠπšβ€™πšœ πš—πš˜πš πšŠπšŒπšŒπšžπš›πšŠπšπšŽ 𝚊𝚝 πšŠπš•πš•. πšƒπš‘πšŽ πš˜πš—πš•πš’ πš–πšŠπš—πš—πšŽπš› πš’πš— πš πš‘πš’πšŒπš‘ πšπš‘πš’πšœ πš›πšŽπšŒπš˜πš›πš πšŒπš˜πš–πš™πšŠπš›πšŽπšœ 𝚝𝚘 π™·πšŽπšŠπš›πšπš πš˜πš›πš” πš’πšœ πšπš‘πšŠπš π™΄πš‘πš‘πšžπš–πšŽπš πš‘πšŠπšœ πšŸπšŽπš›πš’ πš˜πš‹πšŸπš’πš˜πšžπšœπš•πš’ πš‹πšŽπšŽπš— πš–πšŠπš“πš˜πš›πš•πš’ πš’πš—πšπš•πšžπšŽπš—πšŒπšŽπš πš‹πš’ π™²πšŠπš›πšŒπšŠπšœπšœ, πšŠπš—πš πš•πš’πš”πšŽ π™·πšŽπšŠπš›πšπš πš˜πš›πš”, π™°πš—πšŠπšπš˜πš–πš’ πš’πšœ π™³πšŽπšœπšπš’πš—πš’ πš’πšœ πšŠπš— πš’πš–πš–πšŽπš—πšœπšŽ πš™πš›πš˜πšπš›πšŽπšœπšœπš’πš˜πš— πšπš˜πš› π™΄πš‘πš‘πšžπš–πšŽπš. π™±πšžπš πš’πš 𝚍𝚘𝚎𝚜 πš—πš˜πš πšœπš˜πšžπš—πš πš•πš’πš”πšŽ π™·πšŽπšŠπš›πšπš πš˜πš›πš” 𝚊𝚝 πšŠπš•πš•. πšπšŽπšŠπš•πš•πš’, πš’πš 𝚒𝚘𝚞 πšŠπšœπš” πš–πšŽ, πšŠπš—πš 𝙸 πš”πš—πš˜πš  πšπš‘πšŠπš πš–πšŠπš—πš’ πš πš’πš•πš• πšπš’πšœπšŠπšπš›πšŽπšŽ, πš‹πšžπš πš’πš πšœπš˜πšžπš—πšπšœ πšœπš˜πš›πš 𝚘𝚏 πš•πš’πš”πšŽ πš‚πš’πš–πš™πš‘πš˜πš—πš’πšŽπšœ 𝚘𝚏 πš‚πš’πšŒπš”πš—πšŽπšœπšœ πš πš’πšπš‘ 𝚊 πš™πšŽπš›πšπšŽπšŒπš πšπšžπšŒπš”πš’πš—πš πš›πšŽπšŒπš˜πš›πšπš’πš—πšβ€™ πš•πš˜πš—πšπšŽπš› πšœπš˜πš—πšπšœ, 𝚊 πš‹πš’πš πš–πš˜πš›πšŽ πšπšŽπšŒπš‘πš—πš’πšŒπšŠπš•πš’πšπš’ πšŠπš—πš πšπš•πšžπš’πšπš’πšπš’, πšŠπš—πš 𝚊 πšœπš‘πš’πšπš•πš˜πšŠπš 𝚘𝚏 πšπšžπš›πš’πš˜πšžπšœ πšŽπš—πšŽπš›πšπš’β€¦. πšƒπš‘πšŽ π™²πšŠπš›πšŒπšŠπšœπšœ πš πš˜πš›πšœπš‘πš’πš™ πšπš‘πš›πš˜πš—πšŽ πš‘πšŠπšœ πš‹πšŽπšŽπš— πš›πšŽπšŒπš•πšŠπš’πš–πšŽπš, πšŠπš—πš 𝙸 πšŒπšŠπš—β€˜πš 𝚜𝚎𝚎 πšŠπš—πš’ πš˜πšπš‘πšŽπš› πš‹πšŠπš—πš πšπš˜πš™πš’πš—πš πšπš‘πš’πšœ πš–πšŠπšœπšπšŽπš›πš™πš’πšŽπšŒπšŽ πšŠπš—πš’πšπš’πš–πšŽ πšœπš˜πš˜πš—. (𝟾/𝟷𝟢)”

While Herzebeth, a reviewer at Metal Storm stated;

β€œπš‚πš˜ πš’πš— πšπš‘πšŽ πšŽπš—πš, πšπš‘πš’πšœ πšŠπš•πš‹πšžπš– πš’πšœ πššπšžπš’πšπšŽ πš’πš–πš™πš›πšŽπšœπšœπš’πšŸπšŽ, 𝚒𝚎𝚜, 𝚊𝚜 πšœπš˜πš–πšŽ πš™πšŽπš˜πš™πš•πšŽ πšœπšŠπš’πš πš’πšβ€˜πšœ 𝚊 πš•πš’πšπšπš•πšŽ πšœπš’πš–πš’πš•πšŠπš› 𝚝𝚘 π™²πšŠπš›πšŒπšŠπšœπšœβ€™ π™½πšŽπšŒπš›πš˜πšπš’πšŒπš’πšœπš–, πš‹πšžπš πšŠπš•πš• πš’πš— πšŠπš•πš•, πšπš‘πš’πšœ πšŠπš•πš‹πšžπš– πš’πšœ πšŸπšŠπš›πš’πšŽπš πšŠπš—πš πšπš›πšŽπšœπš‘, 𝚊 πš–πšžπšœπš πš‘πšŠπšŸπšŽ πšŠπš•πš‹πšžπš– πš’πš—πšπšŽπšŽπš.”

And, in a retrospective review for AllMusic, Brian O’Neill wrote;

β€œβ€¦π™΄πš‘πš‘πšžπš–πšŽπš πš›πšŽπš–πšŠπš’πš—πšœ πš‘πšŽπšŠπšŸπš’ πšŽπš—πš˜πšžπšπš‘ 𝚝𝚘 πš™πš•πšŠπšŒπšŠπšπšŽ πšπšŠπš—πšœ 𝚘𝚏 πšπš‘πšŽ πš‹πšŠπš—πšβ€˜πšœ πš™πš›πšŽπšŸπš’πš˜πšžπšœ πš›πšŽπšŒπš˜πš›πšπš’πš—πšπšœ, 𝚒𝚎𝚝 πšπš‘πšŽ 𝚊𝚍𝚍𝚎𝚍 πšŠπšŒπšŒπšŽπšœπšœπš’πš‹πš’πš•πš’πšπš’ πšŒπš˜πšžπš•πš πš˜πš™πšŽπš— πšπš‘πšŽ πšŽπšŠπš›πšœ 𝚘𝚏 πšœπš˜πš–πšŽ πš πš‘πš˜ πšπš’πšœπš–πš’πšœπšœ π™³πšŽπšŠπšπš‘ π™ΌπšŽπšπšŠπš• 𝚘𝚞𝚝 𝚘𝚏 πš‘πšŠπš—πš. πšƒπš‘πš’πšœ πšπš’πš–πšŽ, πšπš‘πšŽπš›πšŽβ€˜πšœ πšœπš˜πš–πšŽ πšπš›πš˜πš πšπš‘ πš‹πšŽπš—πšŽπšŠπšπš‘ πšπš‘πšŽ πšπš›πš˜πš πš•πš’πš—πš.”

Notice: Any reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β€” E.N. Wells



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