
Demons & Wizards β Touched by the Crimson King
- intothewellsabyss
- Jun 27, 2023
- 5 min read
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18 years ago today, we were βTouched by the Crimson Kingβ!

On this day (June 27) 2005, Demons & Wizards released their second full-length studio album, βTouched by the Crimson Kingβ in Europe via SPV/Steamhammer (June 28, 2005 in USA).
The album contains a cover of Led Zeppelin's "Immigrant Song." It was also released as a limited edition digipak in Europe with an alternate cover and four bonus tracks on a second disc. For the North American release, all fourteen songs appeared on one disc, which had the limited edition cover in the form of a sleeve around the jewel case.
Jon Schaffer said in a 2009 interview that he felt "Touched by the Crimson King" was a "bit rushed".
It is believed by some that this is a concept album based on Stephen King's The Dark Tower Series. However, only a few of the songs relate to the series and there is no overall concept to the album.
In an interview with metal-rules.com, Jon Schaffer discussed what made them decide to tackle Stephen Kingβs βThe Dark Towerβ series and more;
β Well, that was Hansi. I havenβt read the series. I donΓt know really. He was finishing it when we were doing our thing there in early November (2004). He was telling me that he wanted to use some of those ideas and we talked about some of the songs that might work thematically with that and the concept of βBlaine the Monoβ. Thereβs only three songs about it. βCrimson Kingβ, βTerror Trainβ and βThe Gunslingerβ are related to that and everything else is really a story of its own.

When Hansi was telling me about βBlaine the Monoβ, this apocalyptic train that just hurtled towards destruction, I was pretty sure that this piece of music that I had written was pretty intense and had the feeling of this train speeding and going out of control. ItΓs probably one of the most complex rhythm guitar songs that I have ever written. Itβs just ripping the whole way through, well there is a solo there so the melody structure there is a bit of a break, but it just pushes the limit all the way through. Thatβs the one we ended up doing the video for. I actually saw the final edit just this morning and it looks pretty killer, so Iβm happy about it. But itβs just Hansi, heβs always looking for stuff to write about and a lot of his lyrical stuff is influenced my literature.
βBeneath These Wavesβ, the first song we wrote together for this album, was based on Moby Dick. Then youβve got βLoveβs Tragedy Asunderβ which is based on a real story about a manβs wife who is terminally ill and he assists her in suicide and ends up killing himself. Itβs pretty dark. βDown Where I Amβ is about a baby born with Downβs Syndrome and the struggle of his father and the emotions going in and out of his mind. Itβs all pretty heavy despite all the acoustic guitars and it doesnβt matter if the music came first or the lyrics came first or if it was written all together. The way I define heavy is that it creates a moving emotion inside you. If the piece of music can bring tears to your eyes, thatβs heavy. It doesnβt have to be D-tuned music with cookie monster vocals to be heavy. That to me is D-rated cheese Metal compared to really moving emotional music. I think that a song like βDown Where I Amβ is very heavy. You listen to it and most of the song is acoustic. But if you listen to what it is about and if you think about it, me being a new parent and everything, itΓs just very moving. That shit is reality, not just βIβm gonna fuck a dead corpse!β

More Details About the Songs:
β’ "Crimson King" is a reference to the Crimson King, the main antagonist of The Dark Tower series. The song also strongly references Randall Flagg, one of the King's many servants. Hansi in an interview has also stated that the Crimson King is Satan.
β’ "The Gunslinger" is referring to Roland of Gilead, the protagonist of the Dark Tower series. The song refers mainly to the plot of the final book of the series.
β’ "Terror Train" is a reference to βBlaine the Monoβ, from the third and fourth novels of the Dark Tower series.
β’ "Beneath These Waves" is based on Herman Melville's MOBY DICK.
β’ "Seize the Day" is based on J.R.R. Tolkien's The Lord of the Rings.
β’ "Love's Tragedy Asunder" is about a man whose wife is terminally ill, and he assists her suicide, and ends up killing himself.
β’ "Wicked Witch" is about the Wicked Witch of the West from L. Frank Baum's The Wizard of Oz.
β’ "Dorian" is about Oscar Wilde's novel The Picture of Dorian Gray.
β’ "Down Where I Am" is about a baby born with Down syndrome and the struggle of his father and the emotions going in and out of his mind.
Critical Reception:
In his review for AllMusic, Greg Prato writes;
βComprised of Iced Earth's Jon Schaffer and Blind Guardian's Hansi KΓΌrsch, the duo issued their second album in 2005, βTouched by the Crimson Kingβ. Picture a modern Metal soundtrack accompanying a triumphant ride through a forest on horseback, and you have an idea of what such songs as "Crimson King" and "Terror Train" sound like, as well as the album-closing cover of Led Zeppelin's "Immigrant Song." But not all of βCrimson Kingβ is riff-based, as evidenced by the tranquil ending of "Beneath These Waves" and the beginning of "The Gunslinger." But by and large, βTouched by the Crimson Kingβ is a modern-day Prog. Metal fan's dream.β
Links to Artists, Albums, and Music Videos:
Click this link to listen to βTouched by the Crimson King (Remastered 2019)β via Apple Music: https://music.apple.com/us/album/touched-by-the-crimson-king-remasters-2019/1457568464
Click this link to listen to βTouched by the Crimson Kingβ via Spotify: Touched By The Crimson King https://open.spotify.com/album/5RGWoBofMO6zbjP4yQWz4N
Click this link to watch the official music video for βTerror Trainβ: https://youtu.be/N1ZVN2Z2uzo
Click this link to watch the official music video for βThe Gunslingerβ - Lyric Video: https://youtu.be/2FDEcZ5ETA8
Click this link to follow the Demons & Wizards on Facebook: https://www.facebook.com/demonsandwizardsofficial
Note: The reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β E.N. Wells

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