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Deicide β€” The Stench of Redemption

  • intothewellsabyss
  • Aug 22, 2023
  • 3 min read

π…π‘πŽπŒ 𝐓𝐇𝐄 π‚π‘π˜ππ“π’ - π‚π„π‹π„ππ‘π€π“πˆππ† 𝐏𝐀𝐒𝐓 π€π‹ππ”πŒ 𝐑𝐄𝐋𝐄𝐀𝐒𝐄𝐒 𝐒𝐧 𝐭𝐑𝐞 π‡πˆπ’π“πŽπ‘π˜ 𝐨𝐟  𝐇𝐀𝐑𝐃 π‘πŽπ‚πŠ & π‡π„π€π•π˜ πŒπ„π“π€π‹β€¦



August 22, 2006 β€” Deicide released their eighth studio album, The Stench of Redemption via Earache Records. (Listen)



It is the first album by the band to feature Jack Owen (formerly of Cannibal Corpse) and Ralph Santolla (R.I.P.) (formerly of Iced Earth) on guitars. Some editions of the album include a cover of Black Night by Deep Purple, with rewritten lyrics by Glen Benton.



The Stench of Redemption was Deicide's most successful release to date, peaking at No. 11 on the Top Heatseekers chart. Many critics praised The Stench of Redemption as a return to form for Deicide, despite the band losing both Eric and Brian Hoffman.



Background:

Two tracks, Homage for Satan and Crucified for Innocence, were released exclusively via iTunes on June 6, 2006. Deicide released these songs online because of financial problems that the band and Earache Records had. The band also cancelled some of their concerts because of these financial problems.



The album features themes of destruction and anti-Christianity. This is the first Deicide album to have writing credits attributed to individual band members.



There is a noticeable change in the guitar work, as guitar leads are much more prevalent. The style of the solos on the album is also drastically different from previous Deicide records. Ralph Santolla and Jack Owen utilize a Neo-Classical style of guitar soloing along with the traditional riffing of Deicide.



Drummer Steve Asheim said of the album, "π™Έβ€˜πš πš‘πšŠπšŸπšŽ 𝚝𝚘 𝚜𝚊𝚒 πš‚πšπšŽπš—πšŒπš‘ πš’πšœ πšπšŽπšπš’πš—πš’πšπšŽπš•πš’ πš–πš’ πšπšŠπšŸπš˜πš›πš’πšπšŽ πšŠπš—πš πšπš‘πšŽ πš˜πš—πšŽ π™Έβ€˜πš– πš–πš˜πšœπš πš™πš›πš˜πšžπš 𝚘𝚏, π™±πšŽπš—πšπš˜πš— 𝚝𝚘𝚘 𝙸 πšπš‘πš’πš—πš”. π™Έπš πš›πšŽπšŠπš•πš•πš’ πšŠπš•πš• πšŒπšŠπš–πšŽ πšπš˜πšπšŽπšπš‘πšŽπš› πš˜πš— πšπš‘πš’πšœ πš˜πš—πšŽ, πšπš‘πšŽ πš–πšŠπšπšŽπš›πš’πšŠπš•, πšπš‘πšŽ πš™πš•πšŠπš’πšŽπš›πšœ, πšπš‘πšŽ πšœπš˜πšžπš—πš, πšπš‘πšŽ πšŸπš’πš‹πšŽ... π™Έπš 𝚠𝚊𝚜 𝚊 πš›πšŽπšŠπš• πš™πš•πšŽπšŠπšœπšžπš›πšŽ πšπš˜πš’πš—πš πšπš‘πš’πšœ πš›πšŽπšŒπš˜πš›πš πš πš’πšπš‘ πšπš‘πš’πšœ πš•πš’πš—πšŽ-πšžπš™, πšŠπš•πš–πš˜πšœπš πšŽπšπšπš˜πš›πšπš•πšŽπšœπšœ."



Critical Reception:

The Stench of Redemption met with positive reviews, with most reviewers praising the added melodic dimension, which they attribute to the new guitarists. Chad Bowar, writing for About.com, praised the guitar team for "πš‹πš›πšŽπšŠπšπš‘[πš’πš—πš] πš—πšŽπš  πš•πš’πšπšŽ πš’πš—πšπš˜ π™³πšŽπš’πšŒπš’πšπšŽβ€˜πšœ πšŠπš™πš™πš›πš˜πšŠπšŒπš‘. 𝚈𝚘𝚞 πš–πš’πšπš‘πš πš—πš˜πš πšŽπšŸπšŽπš— πš—πš˜πšπš’πšŒπšŽ πš‹πšŽπšŒπšŠπšžπšœπšŽ 𝚘𝚏 πšŠπš•πš• πšπš‘πšŽ πš‹πš•πšŠπšœπš πš‹πšŽπšŠπšπšœ πšŠπš—πš πš‹πš›πšŽπšŠπš”πš—πšŽπšŒπš” πš›πš’πšπšπš’πš—πš, πš‹πšžπš πšπš‘πšŽπš›πšŽ πšŠπš›πšŽ πšœπš˜πš–πšŽ πšŠπšŒπšπšžπšŠπš• πš–πšŽπš•πš˜πšπš’πšŽπšœ πš‘πšŽπš›πšŽ. πšƒπš‘πšŽπš’ πš‘πšŠπšŸπšŽ 𝚊𝚍𝚍𝚎𝚍 𝚊 πšœπšžπš‹πšπš•πšŽ πš•πšŠπš’πšŽπš› 𝚘𝚏 πšŒπš˜πš–πš™πš•πšŽπš‘πš’πšπš’ 𝚝𝚘 πšπš‘πšŽ πš‹πšŠπš—πš,𝚜 πš‹πš›πšžπšπšŠπš• πšŠπš›πšœπšŽπš—πšŠπš•, πš πš‘πš’πšŒπš‘ πš–πšŠπš”πšŽπšœ πšπš‘πšŽ πšœπš˜πš—πšπšœ πšπš‘πšŠπš πš–πšžπšŒπš‘ πš–πš˜πš›πšŽ πš™πš˜πš πšŽπš›πšπšžπš•".



Similarly, Scott Alisoglu wrote for Blabbermouth.net that the new guitarists "𝚊𝚍𝚍 𝚝𝚘 π™³πšŽπš’πšŒπš’πšπšŽβ€˜πšœ πš•πšŽπšπšŽπš—πšπšŠπš›πš’ π™³πšŽπšŠπšπš‘ π™ΌπšŽπšπšŠπš• πšœπš˜πšžπš—πš πš‹πš’ πšžπš™πš™πš’πš—πš πšπš‘πšŽ πšœπš’πš‘-πšœπšπš›πš’πš—πš πšπš’πš—πšŠπš–πš’πšŒπšœ πšŠπš—πš πšπš’πšŸπš’πš—πš πšπš‘πšŽπšœπšŽ πšŒπš˜πš–πš™πš˜πšœπš’πšπš’πš˜πš—πšœ 𝚊 πš–πšžπšŒπš‘-πš—πšŽπšŽπšπšŽπš πš’πš—πš“πšŽπšŒπšπš’πš˜πš— 𝚘𝚏 πšŒπš˜πš–πš™πš˜πšœπš’πšπš’πš˜πš—πšŠπš• πšπšŽπš™πšπš‘. πšƒπš‘πšŠπš 𝚍𝚘𝚎𝚜 πš—πš˜πš πš–πšŽπšŠπš— πšπš‘πšŠπš 𝚒𝚘𝚞 πš πš˜πš—β€˜πš πš›πšŽπšŒπš˜πšπš—πš’πš£πšŽ πšƒπš‘πšŽ πš‚πšπšŽπš—πšŒπš‘ 𝚘𝚏 πšπšŽπšπšŽπš–πš™πšπš’πš˜πš— 𝚊𝚜 πšŠπš—πš’πšπš‘πš’πš—πš πš‹πšžπš 𝚊 π™·πšŽπš•πš•-πšπš›πš’πšŽπš π™³πšŽπš’πšŒπš’πšπšŽ πšŠπš•πš‹πšžπš–, πš˜πš—πš•πš’ πšπš‘πšŠπš πšπš‘πšŽ 𝚊𝚍𝚍𝚎𝚍 πš’πš—πšπš›πšŽπšπš’πšŽπš—πšπšœ πš™πšžπšœπš‘ πšπš‘πšŽ πšŠπš•πš‹πšžπš– 𝚝𝚘 πš‘πšŽπš’πšπš‘πšπšœ πš™πš›πšŽπšŸπš’πš˜πšžπšœπš•πš’ πšžπš—πšŠπšπšπšŠπš’πš—πšŽπš".



Jackie Smit, writing for Chronicles of Chaos, claimed that the addition of Jack Owen and Ralph Santolla not only "πš•πš’πš πšžπš—πšπšŽπš› πšπš‘πšŽ πš›πšŽπš–πšŠπš’πš—πš’πš—πš πš˜πš›πš’πšπš’πš—πšŠπš• πš–πšŽπš–πš‹πšŽπš›πšœ πšŒπš˜πš•πš•πšŽπšŒπšπš’πšŸπšŽ πš‹πšŽπš‘πš’πš—πšπšœ", but also added a melodic dimension "πšžπš—πš•πš’πš”πšŽ πšŠπš—πš’πšπš‘πš’πš—πš πšπš‘πšŽ π™·πš˜πšπšπš–πšŠπš— πš‹πš›πš˜πšπš‘πšŽπš›πšœ πš πšŽπš›πšŽ πšŽπšŸπšŽπš› πšŠπš‹πš•πšŽ 𝚝𝚘 πš–πšžπšœπšπšŽπš›".



Referring to the album as "πšžπš—πšŠπš™πš˜πš•πš˜πšπšŽπšπš’πšŒπšŠπš•πš•πš’ πš–πšŽπš•πš˜πšπš’πšŒ", Cosmo Lee wrote in Stylus Magazine that The Stench of Redemption is "πš—πš˜ πš•πšŽπšœπšœ πš‹πš›πšžπšπšŠπš•" as a result of the melodic inclinations, and praised Steve Asheim's "πš–πšŠπšœπšœπš’πšŸπšŽ, πš–πšŽπš–πš˜πš›πšŠπš‹πš•πšŽ" riffs and Benton's "πšπš’πšŠπš‹πš˜πš•πš’πšŒπšŠπš•" vocals.



Watch the Official Music Video for Homage for Satan.



Notice: Any reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β€” E.N. Wells



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IN REMEMBRANCE...


Ralph Santolla (December 8, 1966 – June 7, 2018)

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