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Clutch β€” Transnational Speedway League: Anthems, Anecdotes and Undeniable Truths

  • intothewellsabyss
  • Aug 17, 2023
  • 2 min read

π…π‘πŽπŒ 𝐓𝐇𝐄 π‚π‘π˜ππ“π’ - π‚π„π‹π„ππ‘π€π“πˆππ† 𝐏𝐀𝐒𝐓 π€π‹ππ”πŒ 𝐑𝐄𝐋𝐄𝐀𝐒𝐄𝐒 𝐒𝐧 𝐭𝐑𝐞 π‡πˆπ’π“πŽπ‘π˜ 𝐨𝐟  𝐇𝐀𝐑𝐃 π‘πŽπ‚πŠ & π‡π„π€π•π˜ πŒπ„π“π€π‹β€¦



August 17, 1993 β€” Clutch released their debut studio album, Transnational Speedway League: Anthems, Anecdotes and Undeniable Truths (often shortened to Transnational Speedway League) via EastWest Records. (Listen)



Recorded at Razor's Edge Studio in San Francisco, California, with producer Jonathan Burnside and at Spa Studio Inc. in New York City with producer Steven Haigler, the album was promoted by a music video for opening track A Shogun Named Marcus, directed by Dan Winters.



Background:

Initial recording sessions for Transnational Speedway League began in January 1993 at Razor's Edge Studio in San Francisco, California with producer Jonathan Burnside, during which the songs Binge and Purge, Bacchanal, Earthworm, Heirloom, Walking in the Great Shining Path of Monster Trucks and Effigy were recorded and mixed.



After a short break, Clutch returned to the studio in April to complete the album, working with producer Steven Haigler at Spa Studio Inc. in New York City on the remaining songs, A Shogun Named Marcus, El Jefe Speaks, 12 Ounce Epilogue, Milk of Human Kindness and Rats.



Transnational Speedway League has been described by commentators as one of the heaviest releases of Clutch's career. Metal Hammer writer MΓΆrat described the album as "𝚊 πšœπšπšŠπš›πš” πš›πšŽπš–πš’πš—πšπšŽπš› 𝚘𝚏 πš“πšžπšœπš πš‘πš˜πš  𝚐𝚘𝚘𝚍 πšŠπš—πšπš›πš’ πš–πšžπšœπš’πšŒ πšŒπš˜πšžπš•πš πšœπš˜πšžπš—πš", noting its presence in a scene dominated by "πšπš‘πšŽ π™Άπš›πšžπš—πšπšŽ πšŽπš‘πš™πš•πš˜πšœπš’πš˜πš—" which was much less heavy.



According to MΓΆrat, opening song A Shogun Named Marcus had to be removed from the band's live set lists for several years "πš‹πšŽπšŒπšŠπšžπšœπšŽ πš’πš πš’πš—πšŒπš’πšπšŽπš πš™πšŽπš˜πš™πš•πšŽ 𝚝𝚘 πš”πš’πšŒπš” πšπš‘πšŽ πšœπš‘πš’πš 𝚘𝚞𝚝 𝚘𝚏 πšŽπšŠπšŒπš‘ πš˜πšπš‘πšŽπš›". The album received a Parental Advisory sticker for the repeated use of the word "πš–πš˜πšπš‘πšŽπšπšžπšŒπš”πšŽπš›" in the song Binge and Purge.



The album was promoted by the release of a music video for the song A Shogun Named Marcus, which was directed by Dan Winters who also provided photography for the album. (Watch video)


Touring:

The band toured throughout 1994 in promotion of the album, including support dates for Brazilian Thrash/Groove Metal band Sepultura, American Industrial Metal band Fear Factory and British Sludge Metal band Fudge Tunnel.



Critical Reception:

Media response to β€œTransnational Speedway League” was generally positive. Jeremy Ulrey of AllMusic praised the album for its "𝚍𝚘𝚐𝚐𝚎𝚍 πš‘πšŠπš›πš πš›πš˜πšŒπš”πš’πš—πš πšŠπš—πš πšŒπš˜πš—πšœπš’πšœπšπšŽπš—πš πšœπš˜πš—πšπš πš›πš’πšπš’πš—πš πš™πš›πš˜πš πšŽπšœπšœ", highlighting the first half of the album over the second half but overall dubbing it "πš˜πš—πšŽ 𝚘𝚏 πšπš‘πšŽ πš‹πš›πš’πšπš‘πšπšŽπš› πšπšŽπš‹πšžπšπšœ 𝚝𝚘 πšŽπš–πšŽπš›πšπšŽ πš’πš— πšπš‘πšŽ β€˜πŸΏπŸΆπšœ".


In a feature published in 2016, Metal Hammer columnist MΓΆrat ranked Binge and Purge on his list of The top 10 best Clutch songs, outlining that "πš’πš πšπš˜πšŽπšœπš—β€˜πš 𝚐𝚎𝚝 πš–πšžπšŒπš‘ πš‘πšŽπšŠπšŸπš’πšŽπš› πšπš‘πšŠπš— πšπš‘πš’πšœ, πšπš‘πšŽ πšπš‘πš’πš›πš πšπš›πšŠπšŒπš” πšπš›πš˜πš– π™²πš•πšžπšπšŒπš‘β€™πšœ πšπšŽπš‹πšžπš πšŠπš•πš‹πšžπš–", and describing the song as "πššπšžπš’πšπšŽ πšœπš’πš–πš™πš•πš’, πš–πšžπšœπš’πšŒ 𝚝𝚘 πš”πš’πš•πš• πš™πšŽπš˜πš™πš•πšŽ 𝚝𝚘".


In an earlier feature, in which he hailed the album as being "πš’πš— 𝚊 πšŒπš•πšŠπšœπšœ 𝚘𝚏 πš’πšπšœ πš˜πš πš—", MΓΆrat also praised opening track A Shogun Named Marcus, which he credited as "πšπš‘πšŽ πš–πš˜πš–πšŽπš—πš πš πš‘πšŽπš— πš–πšŠπš—πš’ 𝚊 πšπš˜πšŒπš” πšπšŠπš— πš‹πšŽπšŒπšŠπš–πšŽ 𝚊 π™²πš•πšžπšπšŒπš‘ 𝚍𝚎𝚟𝚘𝚝𝚎𝚎 ... πšπš‘πšŽ β€˜πš πš˜πš β€˜ πš–πš˜πš–πšŽπš—πš".


Notice: Any reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β€” E.N. Wells



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