
Bitch (aka Betsy) β Be My Slave
- intothewellsabyss
- Jul 1, 2023
- 4 min read
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40 years ago this week, the band featuring the βFirst Lady of Heavy Metalβ, otherwise known as Betsy released their dominatrix fueled album, βBe My Slaveβ, titillating some while attracting the ire of Tipper Gore and the P.M.R.C.

On July 1, 1983, Bitch (aka Betsy) released their first full-length studio album βBe My Slaveβ via Metal Blade Records under the genre "Dominatrix Metal".
βBe My Slaveβ was cited by Tipper Gore, during the Parents Music Resource Center campaign against violent and sexually explicit content in the music industry.

Background:
Bitch was formed in December 1980, and played their first show in May 1981 alongside Dante Fox (later to become Great White). Shortly after the band was formed, guitarist David Carruth met Brian Slagel, future CEO of Metal Blade Records, and the two became friends. Slagel was working on a compilation album to tie into a Heavy Metal fanzine he had started called βThe New Heavy Metal Revueβ, and offered to place Bitch on the compilation if they would submit a demo to him. This project would become the landmark compilation βMetal Massacreβ (1982), which would become famous for launching the career of Metallica and for being the first album ever released by Metal Blade Records. Bitch's contribution to βMetal Massacreβ was a demo version of "Live for the Whip", which would be rerecorded for their debut EP βDamnation Alleyβ.
Bitch signed for the label and released a self-financed EP titled βDamnation Alleyβ (1982). The following year, the group released their first full-length album, βBe My Slaveβ. During the tour of the album, Bitch developed their controversial and elaborate stage shows. These included sadomasochistic elements such as bondage clothing and paraphernalia, and the humiliation of a male "slave" on stage. The band then became a target in the Parents Music Resource Center controversy. The βBe My Slaveβ LP was featured on talk shows and in a televised congressional hearing that took place before the United States Senateβs Committee On Commerce, Science, and Transportation on September 19, 1985. Throughout this time, Bitch played regularly in Sunset Strip clubs like The Whiskey a Go Go, Gazzarri's, The Roxy Theatre, and many others, sharing the bill with other Metal groups such as W.A.S.P., Slayer and Armored Saint.
The album was re-issued in 1989 on a single CD with the EP βDamnation Alleyβ.
Critical Reception:
Upon its release, Dave Constable gave βBe My Slaveβ undue harsh criticism in his review for Metal Forces No. 1 in Autumn of 1983, saying; βThe βDamnation Alleyβ E.P. was one of last years disappointments for me. After so much media hype I was expecting something new from Bitch, as a band, but their L.P. was just the same old riffs churned out with a poor (though original) vocalist Betsy. Their first L.P. is a slight improvement however. This being due more to the varying of pace throughout the album than to any improvement in Betsy's voice. It starts off promisingly enough with βRight From The Startβ, an uptempo rocker which would make a good single.
The title track follows in a similar vein, but somehow lacks the commercial punch to really hit home. βLeatherboundβ comes next and fails yet again to promote the whips/leather syndrome as a Heavy Metal concept. βRiding In Thunderβ and βSave You From The Worldβ are just average Metal toons with the latter beings itself saved by a toning down of Betsy's voice. βHeavy Metal Breakdownβ opens side two and unfortunately is the only original song on the side. From hereon it's just standard rockers in the Priest vein. So another disappointment from Bitch. They're fast running out of chances and must get some original musical ideas together fast or they are doomed.β
Constable concluded with a footnote about the albums cover saying; βThe cover does not do Betsy's looks any justice at all and will serve no purpose, but to put people off buying the L.P.β (Personal note from E.N. Wells; the cover was why I decided to purchase the vinyl record as a teen, but I also loved the music as well).
While In his retrospective review for the CD reissue of βBe My Slave/Damnation Alleyβ, Alex Henderson from AllMusic writes; βUniting Bitch's first full-length album, βBe My Slaveβ (1983), with songs from its 1981 EP βDamnation Alleyβ on a single CD, this reissue shows just how delightfully outrageous the L.A.-based Metal band was in the beginning. With her S&M and bondage themes and frequent references to whips, chains and handcuffs, lead singer Betsy (who sounds like Pat Benatar's evil twin) managed to offend liberals and conservatives alike. But on blistering numbers like "Leatherbound," "Live for the Whip" and "Be My Slave," Betsy's portrayal of a dominatrix seems very tongue-in-cheek. With 1987's βThe Bitch Is Backβ, Bitch would tone down its S&M-oriented lyrics, but when the cult classics on this CD were recorded, the headbangers were still unapologetically shocking (in a very comic way). For metalheads who haven't experienced the insanely fun pleasures of Bitch, βBe My Slaveβ would be the best starting point.β
Links to Artists, Albums, and Music Videos:
Click this link to listen to βBe My Slave/Damnation Alley Re-issueβ via Apple Music: https://music.apple.com/us/album/be-my-slave-damnation-alley/53262468
Click this link to listen to βBe My Slaveβ via Spotify: Be My Slave https://open.spotify.com/album/7hB9VdWDDzLAFaLKqc31R8
Click this link to watch the official music video for βBe My Slaveβ: https://youtu.be/VbQHbtBtH4M
Click this link to follow Bitch featuring Betsy on Facebook: https://www.facebook.com/BetsyBBand
Note: The reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β E.N. Wells

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