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Alice In Chains β€” Facelift

  • intothewellsabyss
  • Aug 21, 2023
  • 7 min read

π…π‘πŽπŒ 𝐓𝐇𝐄 π‚π‘π˜ππ“π’ - π‚π„π‹π„ππ‘π€π“πˆππ† 𝐏𝐀𝐒𝐓 π€π‹ππ”πŒ 𝐑𝐄𝐋𝐄𝐀𝐒𝐄𝐒 𝐒𝐧 𝐭𝐑𝐞 π‡πˆπ’π“πŽπ‘π˜ 𝐨𝐟  𝐇𝐀𝐑𝐃 π‘πŽπ‚πŠ & π‡π„π€π•π˜ πŒπ„π“π€π‹β€¦



August 21, 1991 β€” Alice in Chains released their debut studio album, Facelift via Columbia Records. (Listen)



The tracks We Die Young, Man in the Box, Sea of Sorrow and Bleed the Freak were released as singles.



Man In The Box was nominated for a Grammy Award for Best Hard Rock Performance with Vocal in 1992.


Facelift became the first album from the Grunge movement to be certified gold on September 11, 1991.


The album peaked at No. 42 on the Billboard 200 chart, was certified platinum and has gone on to be certified double-platinum by The Recording Industry Association of America (RIAA) for shipments of two million copies in the United States.



Background:

Local promoter Randy Hauser became aware of Alice in Chains at a concert, and offered to pay for demo recordings. However, one day before the band was due to record at the Music Bank studio in Washington, police shut down the studio during the biggest marijuana raid in the state's history. The final demo – dubbed The Treehouse Tapes – found its way to managers Kelly Curtis and Susan Silver, who also managed the Seattle-based Soundgarden. Curtis and Silver passed the demo to Columbia Records' A&R representative Nick Terzo, who set up an appointment with label president Don Ienner. Based on The Treehouse Tapes (sold by the band at shows), Ienner signed Alice in Chains to Columbia in 1989.



Alice in Chains became a top priority for the label, who released the band's first official recording in July 1990: the promotional EP We Die Young. Its lead single and title song became a hit on Metal radio.



After its success, the label rushed Alice in Chains' debut album into production with producer Dave Jerden. "𝙸 πšπš˜πš•πš π™ΉπšŽπš›πš›πš’ π™²πšŠπš—πšπš›πšŽπš•πš•, β€˜π™ΌπšŽπšπšŠπš•πš•πš’πšŒπšŠ πšπš˜πš˜πš” πšƒπš˜πš—πš’ π™Έπš˜πš–πš–πš’ πšŠπš—πš πšœπš™πšŽπš πš‘πš’πš– πšžπš™. πš†πš‘πšŠπš πš’πš˜πšžβ€™πšŸπšŽ πšπš˜πš—πšŽ πš’πšœ πš’πš˜πšžβ€˜πšŸπšŽ πšœπš•πš˜πš πšŽπš πš‘πš’πš– πšπš˜πš πš— πšŠπšπšŠπš’πš—,’" Jerden recalled. "π™·πšŽ πš•πš˜πš˜πš”πšŽπš 𝚊𝚝 πš–πšŽ πšŠπš—πš πšœπšŠπš’πš, β€˜πšˆπš˜πšž 𝚐𝚘𝚝 πš’πš.’ πšƒπš‘πšŠπšβ€˜πšœ πš‘πš˜πš  𝙸 𝚐𝚘𝚝 πšπš‘πšŽ πšπš’πš."



Drummer Sean Kinney claims to have played this album with a broken hand;

β€œπ™Έ πšŠπš•πš–πš˜πšœπš πšπš’πšπš—β€˜πš πš™πš•πšŠπš’ πš˜πš— πšπš‘πšŽ πš›πšŽπšŒπš˜πš›πš - πšπš‘πšŽπš’ πšœπšπšŠπš›πšπšŽπš πš›πšŽπš‘πšŽπšŠπš›πšœπš’πš—πš πš πš’πšπš‘ πšπš‘πšŽ πšπš›πšžπš–πš–πšŽπš› πšπš›πš˜πš– π™Όπš˜πšπš‘πšŽπš› π™»πš˜πšŸπšŽ π™±πš˜πš—πšŽ, π™Άπš›πšŽπš π™Άπš’πš•πš–πš˜πš›πšŽ. 𝙸 𝚠𝚊𝚜 πšœπš’πšπšπš’πš—πš πšπš‘πšŽπš›πšŽ πš™πš•πšŠπš’πš’πš—πš πš πš’πšπš‘ πš˜πš—πšŽ πš‘πšŠπš—πš, πšπšžπš’πšπš’πš—πš πš‘πš’πš– πšπš‘πš›πš˜πšžπšπš‘ πš’πš.

(π™Όπš˜πšπš‘πšŽπš› π™»πš˜πšŸπšŽ π™±πš˜πš—πšŽ πšπš›πšžπš–πš–πšŽπš›, π™Άπš›πšŽπš π™Άπš’πš•πš–πš˜πš›πšŽ)

π™³πšŠπšŸπšŽ π™ΉπšŽπš›πšπšŽπš— πšŒπšŠπš–πšŽ πš’πš— πšŠπš—πš πšπš‘πšŽπš’ πšœπšπšŠπš›πšπšŽπš 𝚝𝚘 πšπš›πš’ 𝚝𝚘 𝚍𝚘 πš’πš. π™·πšŽ 𝚠𝚊𝚜 πš•πš’πš”πšŽ, 'πš‚πšŒπš›πšŽπš  πš’πš - πš™πšžπš•πš• πšπš‘πšŽ πš™πš•πšžπš. πšƒπš‘πš’πšœ πš’πšœ πš—πš˜πš πšπš˜πš’πš—πš 𝚝𝚘 πš‹πšŽ πšπš‘πšŽ πšœπšŠπš–πšŽ.' π™»πšžπšŒπš”πš’πš•πš’, 𝚠𝚎 πšπš˜πš˜πš” 𝚊 πšπš’πš—πš’ πš‹πš’πš 𝚘𝚏 πšπš’πš–πšŽ 𝚘𝚏𝚏. 𝙸 πš‘πšŠπš πšπš‘πšŠπš 𝚌𝚊𝚜𝚝 πš˜πš— πšπš˜πš› 𝚊 πš πš‘πš’πš•πšŽ, πšŠπš—πš 𝚠𝚊𝚜 πš•πš’πš”πšŽ, '𝙸 πšŒπšŠπš—β€˜πš πš–πš’πšœπšœ πšπš‘πš’πšœ.' 𝙸 𝚌𝚞𝚝 πš–πš’ 𝚌𝚊𝚜𝚝 𝚘𝚏𝚏 πš’πš— πšπš‘πšŽ πšœπšπšžπšπš’πš˜ πšŠπš—πš πš”πšŽπš™πš 𝚊 πš‹πšžπšŒπš”πšŽπš 𝚘𝚏 πš’πšŒπšŽ πš‹πš’ πšπš‘πšŽ πšπš›πšžπš– 𝚜𝚎𝚝. π™ΊπšŽπš™πš πš–πš’ πš‘πšŠπš—πš πš’πšŒπšŽπš πšπš˜πš πš— πšŠπš—πš πš™πš•πšŠπš’πšŽπš πš πš’πšπš‘ 𝚊 πš‹πš›πš˜πš”πšŽπš— πš‘πšŠπš—πš. 𝙸 πšπš›πš’πšŽπš πš—πš˜πš 𝚝𝚘 𝚍𝚘 πšπš‘πšŠπš πšŠπšπšŠπš’πš— - πš’πš˜πšžπš› πšπš’πš›πšœπš πš‹πš’πš πš‹πš›πšŽπšŠπš”, πšŠπš—πš 𝚒𝚘𝚞 πšπšžπšŒπš” πš’πš πšžπš™.”

Facelift was recorded at London Bridge Studio in Seattle and at Capitol Recording Studio in Hollywood from December 1989 to April 1990. Footage from the Facelift sessions can be found on Alice in Chains' Music Bank: The Videos DVD.



Guitarist Jerry Cantrell stated the album was intended to have a "πš–πš˜πš˜πšπš’ πšŠπšžπš›πšŠ" that was a "πšπš’πš›πšŽπšŒπš πš›πšŽπšœπšžπš•πš 𝚘𝚏 πšπš‘πšŽ πš‹πš›πš˜πš˜πšπš’πš—πš πšŠπšπš–πš˜πšœπš™πš‘πšŽπš›πšŽ πšŠπš—πš πšπšŽπšŽπš• 𝚘𝚏 πš‚πšŽπšŠπšπšπš•πšŽ." Regarding the music for Man in the Box, Cantrell said in the 1999 Music Bank box set, "πšƒπš‘πšŠπš πš πš‘πš˜πš•πšŽ πš‹πšŽπšŠπš πšŠπš—πš πšπš›πš’πš—πš 𝚘𝚏 πšπš‘πšŠπš πš’πšœ πš πš‘πšŽπš— πš πšŽπšœπšπšŠπš›πšπšŽπš 𝚝𝚘 πšπš’πš—πš πš˜πšžπš›πšœπšŽπš•πšŸπšŽπšœ;πš’πš πš‘πšŽπš•πš™πšŽπš π™°πš•πš’πšŒπšŽ πš‹πšŽπšŒπš˜πš–πšŽ πš πš‘πšŠπš πš’πš 𝚠𝚊𝚜." The idea of using a voice box in the song came from producer Dave Jerden, who was driving to the studio one day when Bon Jovi's Livin' on a Prayer started playing on the radio.



Cantrell also credited I Can't Remember for helping the band find its sound. It Ain't Like That came out of a riff that Cantrell cited as a mistake, however he called it "𝚊 πšŒπš˜πš˜πš• πš–πš’πšœπšπšŠπš”πšŽ."



Cantrell called Love, Hate, Love the "πš–πšŠπšœπšπšŽπš›πš™πš’πšŽπšŒπšŽ 𝚘𝚏 πšπš‘πšŠπš πš›πšŽπšŒπš˜πš›πš," adding about the song that Lane Staley's vocals are "πšŠπš–πšŠπš£πš’πš—πš" and that it features one of his favorite guitar solos he ever performed.



Regarding the lyrical content, Cantrell said he wrote We Die Young after "πš›πš’πšπš’πš—πš πšπš‘πšŽ πš‹πšžπšœ 𝚝𝚘 πš›πšŽπš‘πšŽπšŠπš›πšœπšŠπš• πšŠπš—πš [πšœπšŽπšŽπš’πš—πš] πšŠπš•πš• πšπš‘πšŽπšœπšŽ 𝟿, 𝟷𝟢, 𝟷𝟷 πš’πšŽπšŠπš› πš˜πš•πš πš”πš’πšπšœ πš πš’πšπš‘ πš‹πšŽπšŽπš™πšŽπš›πšœ πšπšŽπšŠπš•πš’πš—πš πšπš›πšžπšπšœ. πšƒπš‘πšŽ πšœπš’πšπš‘πš 𝚘𝚏 𝚊 𝟷𝟢 πš’πšŽπšŠπš› πš˜πš•πš πš”πš’πš πš πš’πšπš‘ 𝚊 πš‹πšŽπšŽπš™πšŽπš› πšŠπš—πš 𝚊 πšŒπšŽπš•πš• πš™πš‘πš˜πš—πšŽ πšπšŽπšŠπš•πš’πš—πš πšπš›πšžπšπšœ πšŽπššπšžπšŠπš•πšŽπš "πš†πšŽ π™³πš’πšŽ πšˆπš˜πšžπš—πš" 𝚝𝚘 πš–πšŽ."


(πš…πš’πšπšŽπš˜ πšœπš‘πš˜πš˜πš πšπš˜πš› πš†πšŽ π™³πš’πšŽ πšˆπš˜πšžπš—πš)

In a recorded interview with MuchMusic USA, vocalist Layne Staley stated that the lyrics for Man in the Box are about censorship in the mass media, and "𝙸 𝚠𝚊𝚜 πš›πšŽπšŠπš•πš•πš’ πšœπšπš˜πš—πšŽπš πš πš‘πšŽπš— 𝙸 πš πš›πš˜πšπšŽ πš’πš."



Discussing Bleed the Freak, Cantrell stated that the lyrics represent "𝚞𝚜 πšŠπšπšŠπš’πš—πšœπš πšπš‘πšŽ πš πš˜πš›πš•πš, πšπš‘πš˜πšœπšŽ πš™πšŽπš˜πš™πš•πšŽ πš πš‘πš˜ πš™πšžπš 𝚒𝚘𝚞 πšπš˜πš πš—."



Cantrell wrote Sunshine about his mother's death. Facelift was dedicated to her memory.



Staley's "πš‚πšŽπš‘πšžπšŠπš• πšŒπš‘πš˜πšŒπš˜πš•πšŠπšπšŽ, πš‹πšŠπš‹πš’!" scream at the end of Real Thing was a reference to the film Coming to America starring Eddie Murphy, whose character was the singer of a band called Sexual Chocolate.



In an interview with Video Metal Sheet in 1991, Jerry Cantrell said that the original idea for the album cover was "πšŠπš— πšŽπš–πš‹πš›πš’πš˜πš—πš’πšŒ-πšπš’πš™πšŽ πšπš‘πš’πš—πš" representing the birth of the band. But it ended up taking more of a scary overtone and fitting quite well with the music.



The band discussed several ideas for the album art with photographer Rocky Schenck. One of those ideas was making it appear as if they were emerging from an eyeball. Columbia Records did not give the band a large budget for the photoshoot, but Schenck liked them so much that he was willing to make it work.



The budget was barely enough for a one-day shoot, but Schenck stretched it out for over three days. The first day of shoot took place on May 2, 1990, at the swimming pool of the Oakwood Apartments in Burbank, California.



The pool was covered with a thin piece of plastic to give the idea that the band was emerging from an eyeball. They had to swim under the plastic, rise to the surface and breathe in as they emerged, so the plastic distorted their faces. One of the photos from that session included a shot of Layne Staley wrapped in plastic with the other members holding him, which was used as the cover for the We Die Young single.



Schenck was experimenting with in-camera multiple exposures, where he would create a distorted image by exposing different parts of a single frame of film one exposure at a time, a technique that he had been using for years in his videos and art photography. The band had seen Schenck's portfolio of black and white portraits of haunted, distorted faces, and asked him to duplicate the technique.



Schenck did not want to duplicate the original black and white photo, so he tried the same technique in color using photos of each band member's face. A photo of bassist Mike Starr was chosen as the album cover. After seeing the photo, the band decided to name the album Facelift. The original concept for the cover was to have all four members' faces superimposed into one startling expression, which appeared years later in the Music Bank box set.



Performance & Reception:

Facelift peaked at No. 42 in the summer of 1991 on the Billboard 200 chart. It was the first album from the Grunge movement to reach the top 50 in America on the Billboard 200, and the first to be certified gold by the Recording Industry Association of America on September 11, 1991, followed by Nirvana's Nevermind on November 27, 1991.



The album was a critical success, with "Hollywood" Steve Huey of AllMusic citing Facelift as "πš˜πš—πšŽ 𝚘𝚏 πšπš‘πšŽ πš–πš˜πšœπš πš’πš–πš™πš˜πš›πšπšŠπš—πš πš›πšŽπšŒπš˜πš›πšπšœ πš’πš— πšŽπšœπšπšŠπš‹πš•πš’πšœπš‘πš’πš—πš πšŠπš— πšŠπšžπšπš’πšŽπš—πšŒπšŽ πšπš˜πš› π™Άπš›πšžπš—πšπšŽ πšŠπš—πš π™°πš•πšπšŽπš›πš—πšŠπšπš’πšŸπšŽ πšπš˜πšŒπš” πšŠπš–πš˜πš—πš π™·πšŠπš›πš πšπš˜πšŒπš” πšŠπš—πš π™·πšŽπšŠπšŸπš’ π™ΌπšŽπšπšŠπš• πš•πš’πšœπšπšŽπš—πšŽπš›πšœ."



Facelift was not an instant success, selling under 40,000 copies in the first six months of release, until MTV added Man in the Box to regular daytime rotation.



Man in the Box hit No. 18 on the Mainstream Rock charts, with the album's follow up single, Sea of Sorrow, reaching No. 27, and in six weeks Facelift sold 400,000 copies in the US.



Alice in Chains was nominated for a Best Hard Rock Performance with Vocal Grammy Award in 1992 for Man in the Box, but lost to Van Halen for their 1991 album For Unlawful Carnal Knowledge.



The music video for Man in the Box was nominated for Best Heavy Metal/Hard Rock Video at the 1991 MTV Video Music Awards.



The album won Best Debut Album at the 1991 Foundations Forum.



In June 2017, Ozzy Osbourne listed Facelift as one of his 10 Favorite Metal Albums.



In April 2019, the album was ranked No. 14 on Rolling Stone's 50 Greatest Grunge Albums list.



Soundgarden lead guitarist Kim Thayil also picked Facelift as one of his favorite Grunge albums.



Outtakes for Facelift:

Killing Yourself, recorded during the Facelift sessions, was featured as the B-side to the 1990 We Die Young vinyl single. It has never been issued on CD.



Demos for the songs I Can't Have You Blues, Whatcha Gonna Do, Social Parasite, Bleed the Freak, Sea of Sorrow, and Killing Yourself were featured on Alice in Chains' 1988-89 demo tape.



Remixes of these recordings were later included on the band's 1999 box set, Music Bank.



A demo of We Die Young from the same sessions was released exclusively on the 1999 Nothing Safe: Best of the Box compilation.



Further 1988 demos of the songs Chemical Addiction, Fairytale Love Story, Queen of the Rodeo, Bite the Bullet, King of the Kats, I Can't Remember, Sunshine, The Real Thing, and a cover of David Bowie's Suffragette City circulate on various bootlegs in poor quality.



A live version of Queen of the Rodeo features on the 2000 live album Live as well as the Music Bank box set.



Regarding the songs featured on the 1988 demo tape, Cantrell said, "𝙸 𝚐𝚞𝚎𝚜𝚜 πš πš’πšπš‘ πšŠπš•πš• πšπš‘πš˜πšœπšŽ πšœπš˜πš—πšπšœ 𝚠𝚎 πš πšŽπš›πšŽ 'πšπš’πšœπšŒπš˜πšŸπšŽπš›πš’πš—πš' πš˜πšžπš›πšœπšŽπš•πšŸπšŽπšœ."



Watch the Official Music Video for We Die Young.



Watch the Official Music Video for Man in the Box.



Watch the Official Music Video for Sea of Sorrow.



Watch the Official Music Video for Bleed the Freak.



Notice: Any reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β€” E.N. Wells



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IN REMEMBRANCE...


R.I.P. Layne Thomas Staley (born Layne Rutherford Staley; August 22, 1967 – April 5, 2002)


R.I.P. Michael Christopher StarrΒ (April 4, 1966 – March 8, 2011)

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