ππΌπΏπ²π³π²ππ β π¦πΌππΉ π¦ππΏππΆππΌπΏ (1996)
- intothewellsabyss
- Jun 12, 2023
- 3 min read
π πππ πππ ππππππ - πππππππππππ ππππ πππππ ππππππππ π’π§ ππ‘π πππππππ π¨πΒ ππππ ππππ & πππππ πππππβ¦
27 years ago this month, Gorefest declared βFreedomβ with the Death Nβ Roll infused βSoul Survivorβ.

On June 10, 1996 Gorefest released their fourth full-length studio album, βSoul Survivorβ via Nuclear Blast.
Background:
Prior to the albums release, Gorefest had revealed that they wanted to drastically expand upon the musical changes they had applied in βEraseβ (De Koeijer declared in some interviews that he even had thoughts about taking singing lessons). This would be confirmed in 1996 with the heavily Rock influenced sound on βSoul Survivorβ β a total departure from their roots even showing traces of pop.
Overview:
Just five short years after the bands debut βMindlossβ, the Dutch Death Metallers unleashed βSoul Survivorβ, an album similar to what Carcass had created in βSwansongβ, something that many have referred to as Death Nβ Roll.
In a nutshell; Boudewijn Bonebakker, Gorefestβs lead guitarist, had taken the lead as the bandβs main composer, and having a deep love of the classic 70βs Hard Rock era, had bled that into the core of the bandβs music. What transpired was a dirty little sound that many like to callβ¦ Death Nβ Roll. Yes, my friends, Death Nβ Roll. A term that Death Metal purists had created to degrade Death Metal bands who started adding Rock elements into their sound (and is now a term of endearment). βBecause, we just canβt have that now, can we!β I say, βwhile the hell not!β
Alright, back to all seriousness. While βSoul Survivorβ was by nature, a Death Nβ Roll album, a shred of the old Death Metal aesthetic was still present. This was in large part due to vocalist Jan-Chris De Koeijerβs quasi-Death growls. De Koeijer fits in quite well, singing (or graveling) over these 70βs infused riffs with a groove-laden charge. The band also recruited pianist Rene Merkelback on keys to add to the classic 70βs atmosphere.
Throughout βSoul Survivorβ, youβll hear an array of influences from a bygone era (Iβll let you figure out those influences for yourself), yet somehow it still sounds like Gorefest. The songs on βSoul Survivorβ are catchy, groove-laden and upon listening youβll soon find yourself grooving along to the beat of each track. Boudewijn (guitars) also seems to take a few cues from Bill Steer (Carcass/Firebird) in the lead guitar department, using vibrato and bends to add a lot of feel and dynamics into his guitar soloβs.
Many Gorefestβs fans of the early days scoffed and winced at the dramatic change in the bands sound, but as with Entombedβs βWolverine Bluesβ, Carcassβ βSwansongβ, and even Pungent Stenchβs βClub Mondo Bizarreβ, I embraced this new direction and thought of it as a natural progression in the evolution of the band.
But, fear not all ye die hard traditionalists, there are a few tracks on here to sooth your savage hearts, namely; βDemon Seedβ, and βBlood Is Thickβ.
So, what the hell are you waiting for? Rip that mutha and groove!!!
Links to Artists, Albums, and Music Videos:
Click this link to listen to βSoul Survivorβ via Apple Music: https://music.apple.com/us/album/soul-survivor-chapter-13/1460470945
Click this link to follow Gorefest on Facebook: https://www.facebook.com/dutchdeath
Click this link to watch the official music video for βFreedomβ: https://youtu.be/bDGiq6F-eR8
Click this link to watch the official music video for βSoul Survivorβ: https://youtu.be/N0EcW36q534
Note: The reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. β E.N. Wells

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