๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐ - ๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐ข๐ง ๐ญ๐ก๐ ๐๐๐๐๐๐๐ ๐จ๐ย ๐๐๐๐ ๐๐๐๐ & ๐๐๐๐๐ ๐๐๐๐๐โฆ
35 years ago this week, โThe Family Ghostโ haunted us all!
On June 15 in 1987, King Diamond released his second full-length studio album, Abigail via Roadrunner Records (later released in the US on October 21, 1987). It was the band's first concept album.
There were several re-releases, one on November 11th, 1997 with four bonus tracks, and then the Roadrunner Records 25th anniversary edition in 2005 with a bonus DVD. On November 21st, 2021 Metal Blade Records released a Limited Graphic novel edition with a 12" vinyl Picture disc.
(1997 Gold Edition)
(Metal Blade Records 25th anniversary edition in 2005 with bonus DVD)
(Limited Graphic Novel Edition with a 12" vinyl Picture disc)
โAbigailโ is the last album to feature guitarist Michael Denner and bassist Timi Hansen (R.I.P. 2019).
Album Concept:
โAbigailโ tells the story of a young couple, Miriam Natias and Jonathan La'Fey, who move into an old mansion that La'Fey inherited. It takes place in the summer of 1845. Upon their arrival they are warned by seven horsemen not to move into the house because if they do "18 will become 9." They do not heed the warning and proceed to move into the mansion. During their first night, Jonathan meets with Count de La'Fey, the Family Ghost, who is a deceased relative. The ghost shows him a casket in which a corpse of a stillborn child, Abigail, rests. The ghost informs him that Miriam is carrying the spirit of Abigail and that the child will soon be reborn. He insists that Jonathan must kill Miriam at once to prevent the rebirth.
The narration then relates the story of what happened to the Count and his wife: on 7 July 1777, the Count had discovered his wife had been unfaithful to him, and was pregnant with an illegitimate child. Enraged, he threw the Countess down the stairs, breaking her neck and causing the child to be stillborn. The Count had the body of the Countess cremated, and the stillborn fetus he named Abigail and had mummified and laid to rest in a sarcophagus, the Count having an inexplicable urge to preserve Abigail for the future.
The narration then returns to the summer of 1845, during which Jonathan and Miriam are beset by a range of omens; the church bell rings despite nobody being inside to ring it, flowers die, unwholesome stenches fill the house and in the dining room the table is discovered set for 3. In one incident an empty cradle is discovered by Jonathan swaying in the air, with both him and Miriam insisting that they didn't bring it with them. The next day, Miriam is clearly pregnant and the fetus develops quickly; Jonathan realises that the family ghost was speaking the truth.
The fatal crisis begins when Jonathan accuses Abigail of possessing Miriam, and Abigail (through Miriam) admits it. Jonathan is terrified and considers getting a priest to exorcise Miriam - Miriam, however, exercising a moment of control, urges him to cast her down the stairs to kill her just as the Count had slain the Countess and Abigail's original incarnation. Therefore, Jonathan pretends to give in to Abigail's demands, and suggests to Abigail (once she regains control of Miriam) that she should come down to the family crypt so she can be reborn where she died. However, as the couple stands at the top of the stairs, Jonathan is distracted and the possessed Miriam pushes Jonathan down the stairs.
Miriam gives birth to Abigail, but dies shortly afterwards, her last sight being of Abigail's "yellow eyes"; supposedly her ghost can be heard screaming on the stairs in July ever after. The seven horsemen arrive at the mansion and discover the baby Abigail in the sarcophagus, eating something too horrifying for the narrator to mention (though the fact that it is found in the sarcophagus suggests that Abigail is eating her own previous body). Appalled, they take her away to bury her in a hidden chapel in the forest with seven silver spikes driven through her body (a burial heard as the intro to the album), in the hope that this will prevent a further resurrection.
Critical Reception:
AllMusic's Eduardo Rivadavia wrote that Abigail is "widely recognized as King Diamond's solo masterpiece" and "is also unquestionably one of heavy metal's greatest concept albums".
Canadian journalist Martin Popoff (martinpopoff.com) remarked the "metallic excellence" of the album, but was negatively taken aback by the "creepy package" and the lyrics.
Guitarist Andy LaRocque said it is his favorite King Diamond album as the "good atmosphere we had as a band at that time is captured in the album."
Album Legacy:
Capcom made a homage to this album in its 1989 video game Final Fight, naming the (male) boss of its fifth stage as "Abigai"l. This boss also has a face very similar to King Diamond's.
There is also a tribute to Diamond's father in the liner notes, "the bravest and noblest man" he claims to have ever known.
The video for "The Family Ghost" was featured in the Beavis and Butt-head episode "Bungholio: Lord of the Harvest", where it was ridiculed by the duo.
Links to Artists, Albums, and Music Videos:
Click this link to listen to โAbigailโ via Apple Music: https://music.apple.com/us/album/abigail/1296470250
Click this link to watch the official music video for "The Family Ghost": https://youtu.be/xGC2iP5ss6E
Click this link to follow King Diamond on Facebook: https://www.facebook.com/kingdiamond
Click this link to follow Andy La Rocque of Facebook: https://m.facebook.com/andylarocque.official/
Note: The reviews shared here are for historical reference. The views and opinions expressed within are not always supported (in full or in part) by Into the Wells. โ E.N. Wells
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